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  1. The political aesthetic of Yeats, Eliot, and Pound
    Author: North, Michael
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by... more

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    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. The many contradictions of modernism, which is seen as inwardly personal yet impersonal, subjective and yet beholden to tradition, fragmented and yet whole, mark the reappearance in art of these political contradictions. Though Yeats, Eliot and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicised aesthetic, one that confessed their inability to do so. Yet this aesthetic retained an element of critical power, precisely because it could not cover up the political contradictions that concerned it; the poetry remains a valid criticism of the status quo and even in its failure suggests the beginnings of an alternative.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511570339
    RVK Categories: EC 1820 ; HL 4940 ; HL 4945 ; HM 1191 ; HM 2455 ; HU 4785
    Subjects: Politische Ästhetik
    Other subjects: Eliot, T. S. (1888-1965); Pound, Ezra (1885-1972); Yeats, William Butler (1865-1939)
    Scope: 1 Online-Ressource (viii, 241 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. The political aesthetic of Yeats, Eliot, and Pound
    Author: North, Michael
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. The many contradictions of modernism, which is seen as inwardly personal yet impersonal, subjective and yet beholden to tradition, fragmented and yet whole, mark the reappearance in art of these political contradictions. Though Yeats, Eliot and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicised aesthetic, one that confessed their inability to do so. Yet this aesthetic retained an element of critical power, precisely because it could not cover up the political contradictions that concerned it; the poetry remains a valid criticism of the status quo and even in its failure suggests the beginnings of an alternative Ch. I.W.B. Yeats: cultural nationalism: 1. The isle of freedom -- 2. The success and failure of the Irish revival -- 3. Major Gregory's responsibilities -- 4. The leaning tower -- 5. Senator and blueshirt -- Ch. 2. T.S. Eliot: conservativism: 1. Prufrock, philosophy, and politics -- 2. The critic and the crisis of historicism -- 3. The Waste Land -- 4. Eliot's conservatism -- 5. 'Little Gidding' -- Ch. 3. Ezra Pound: Fascism: 1. Politics and the luminous detail -- 2. History, value, and The Cantos -- 3. The fascist bargain -- 4. The Pisan Cantos

     
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  3. The political aesthetic of Yeats, Eliot, and Pound
    Author: North, Michael
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by... more

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    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. The many contradictions of modernism, which is seen as inwardly personal yet impersonal, subjective and yet beholden to tradition, fragmented and yet whole, mark the reappearance in art of these political contradictions. Though Yeats, Eliot and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicised aesthetic, one that confessed their inability to do so. Yet this aesthetic retained an element of critical power, precisely because it could not cover up the political contradictions that concerned it; the poetry remains a valid criticism of the status quo and even in its failure suggests the beginnings of an alternative

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511570339
    Other identifier:
    RVK Categories: HL 4940 ; HL 4945 ; HM 1191 ; HM 2455 ; HU 4785
    Subjects: Geschichte; Political poetry, American / History and criticism; Politics and literature / United States / History / 20th century; Politics and literature / Ireland / History / 20th century; Political poetry, English / History and criticism; Politics and literature / English-speaking countries; Moderne; Literatur; Politische Lyrik; Politisches Denken; Politik
    Other subjects: Yeats, W. B. / (William Butler) / 1865-1939 / Political and social views; Eliot, T. S. / (Thomas Stearns) / 1888-1965 / Political and social views; Pound, Ezra / 1885-1972 / Political and social views; Pound, Ezra (1885-1972); Eliot, T. S. (1888-1965); Yeats, William Butler (1865-1939)
    Scope: 1 online resource (viii, 241 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Ch. I.W.B. Yeats: cultural nationalism: 1. The isle of freedom -- 2. The success and failure of the Irish revival -- 3. Major Gregory's responsibilities -- 4. The leaning tower -- 5. Senator and blueshirt -- Ch. 2. T.S. Eliot: conservativism: 1. Prufrock, philosophy, and politics -- 2. The critic and the crisis of historicism -- 3. The Waste Land -- 4. Eliot's conservatism -- 5. 'Little Gidding' -- Ch. 3. Ezra Pound: Fascism: 1. Politics and the luminous detail -- 2. History, value, and The Cantos -- 3. The fascist bargain -- 4. The Pisan Cantos
  4. The political aesthetic of Yeats, Eliot, and Pound
    Author: North, Michael
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by... more

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    The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. The many contradictions of modernism, which is seen as inwardly personal yet impersonal, subjective and yet beholden to tradition, fragmented and yet whole, mark the reappearance in art of these political contradictions. Though Yeats, Eliot and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicised aesthetic, one that confessed their inability to do so. Yet this aesthetic retained an element of critical power, precisely because it could not cover up the political contradictions that concerned it; the poetry remains a valid criticism of the status quo and even in its failure suggests the beginnings of an alternative Ch. I.W.B. Yeats: cultural nationalism: 1. The isle of freedom -- 2. The success and failure of the Irish revival -- 3. Major Gregory's responsibilities -- 4. The leaning tower -- 5. Senator and blueshirt -- Ch. 2. T.S. Eliot: conservativism: 1. Prufrock, philosophy, and politics -- 2. The critic and the crisis of historicism -- 3. The Waste Land -- 4. Eliot's conservatism -- 5. 'Little Gidding' -- Ch. 3. Ezra Pound: Fascism: 1. Politics and the luminous detail -- 2. History, value, and The Cantos -- 3. The fascist bargain -- 4. The Pisan Cantos

     
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