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  1. The reformation of the subject
    Spenser, Milton, and the English Protestant epic
    Author: Gregerson, Linda
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender... more

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    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553110
    RVK Categories: HI 1140 ; HI 1193 ; HI 1271
    Series: Cambridge studies in Renaissance literature and culture ; 6
    Subjects: Englisch; Epos; Protestantismus
    Other subjects: Spenser, Edmund (1552-1599); Milton, John (1608-1674)
    Scope: 1 Online-Ressource (xi, 281 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. The reformation of the subject
    Spenser, Milton, and the English Protestant epic
    Author: Gregerson, Linda
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced 1. Emerging likeness: Spenser's mirror sequence of love -- 2. The closed image -- 3. Narcissus interrupted: specularity and the subject of the Tudor state -- 4. The mirror of romance -- 5. Fault lines: Milton's mirror of desire -- 6. Words made visible: the embodied rhetoric of Satan, Sin, and Death -- 7. Divine similitude: language in exile

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553110
    Other identifier:
    Series: Cambridge studies in Renaissance literature and culture ; 6
    Subjects: English poetry; Epic poetry, English; Protestantism and literature; Iconoclasm in literature; Reformation; Spenser, Edmund ; 1552?-1599 ; Faerie queene; Milton, John ; 1608-1674 ; Paradise lost; English poetry ; Early modern, 1500-1700 ; History and criticism; Epic poetry, English ; History and criticism; Protestantism and literature; Iconoclasm in literature; Reformation ; England
    Other subjects: Milton, John (1608-1674): Paradise lost; Spenser, Edmund (1552?-1599): Faerie queene
    Scope: 1 Online-Ressource (xi, 281 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. The reformation of the subject
    Spenser, Milton, and the English Protestant epic
    Author: Gregerson, Linda
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553110
    Other identifier:
    RVK Categories: HI 1193 ; HI 1271 ; HI 3715
    Series: Cambridge studies in Renaissance literature and culture ; 6
    Subjects: English poetry / Early modern, 1500-1700 / History and criticism; Epic poetry, English / History and criticism; Protestantism and literature; Iconoclasm in literature; Reformation / England; Protestantismus; Englisch; Literatur; Epos; Bildersprache
    Other subjects: Spenser, Edmund / 1552?-1599 / Faerie queene; Milton, John / 1608-1674 / Paradise lost; Spenser, Edmund (1552-1599): The faerie queene; Milton, John (1608-1674): Paradise lost
    Scope: 1 online resource (xi, 281 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Emerging likeness: Spenser's mirror sequence of love -- 2. The closed image -- 3. Narcissus interrupted: specularity and the subject of the Tudor state -- 4. The mirror of romance -- 5. Fault lines: Milton's mirror of desire -- 6. Words made visible: the embodied rhetoric of Satan, Sin, and Death -- 7. Divine similitude: language in exile
  4. The reformation of the subject
    Spenser, Milton, and the English Protestant epic
    Author: Gregerson, Linda
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender... more

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    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced 1. Emerging likeness: Spenser's mirror sequence of love -- 2. The closed image -- 3. Narcissus interrupted: specularity and the subject of the Tudor state -- 4. The mirror of romance -- 5. Fault lines: Milton's mirror of desire -- 6. Words made visible: the embodied rhetoric of Satan, Sin, and Death -- 7. Divine similitude: language in exile

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553110
    Other identifier:
    Series: Cambridge studies in Renaissance literature and culture ; 6
    Subjects: English poetry; Epic poetry, English; Protestantism and literature; Iconoclasm in literature; Reformation; Spenser, Edmund ; 1552?-1599 ; Faerie queene; Milton, John ; 1608-1674 ; Paradise lost; English poetry ; Early modern, 1500-1700 ; History and criticism; Epic poetry, English ; History and criticism; Protestantism and literature; Iconoclasm in literature; Reformation ; England
    Other subjects: Milton, John (1608-1674): Paradise lost; Spenser, Edmund (1552?-1599): Faerie queene
    Scope: 1 Online-Ressource (xi, 281 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)