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  1. Filming Shakespeare's plays
    the adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa
    Published: 1988; June 2011
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film Theatrical and cinematic space -- Laurence Olivier's Henry V -- Laurence Olivier's Hamlet -- Laurence Olivier's Richard III -- Orson Welles's Macbeth -- Orson Welles's Othello -- Orson Welles's Chimes at Midnight -- Peter Brook's King Lear and Akira Kurosawa's Throne of Blood -- The film actor

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553097
    Other identifier:
    RVK Categories: HI 3330 ; HI 3370 ; HI 3390 ; AP 47600
    Subjects: Film adaptations; English drama; Shakespeare, William ; 1564-1616 ; Film adaptations; English drama ; Film adaptations; Film adaptations ; History and criticism
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 219 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. Filming Shakespeare's plays
    the adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa
    Published: 1988; June 2011
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
    E-Book CUP HSFK
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent

     

    Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film Theatrical and cinematic space -- Laurence Olivier's Henry V -- Laurence Olivier's Hamlet -- Laurence Olivier's Richard III -- Orson Welles's Macbeth -- Orson Welles's Othello -- Orson Welles's Chimes at Midnight -- Peter Brook's King Lear and Akira Kurosawa's Throne of Blood -- The film actor

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553097
    Other identifier:
    RVK Categories: HI 3330 ; HI 3370 ; HI 3390 ; AP 47600
    Subjects: Film adaptations; English drama; Shakespeare, William ; 1564-1616 ; Film adaptations; English drama ; Film adaptations; Film adaptations ; History and criticism
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 219 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)