Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 4 of 4.

  1. Feminist views on the English stage
    women playwrights, 1990-2000
    Author: Aston, Elaine
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting... more

    Access:

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486005
    RVK Categories: HN 1220 ; HN 1261
    Series: Cambridge studies in modern theatre
    Subjects: Frauendrama; Englisch; Dramatikerin
    Scope: 1 Online-Ressource (x, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Feminist views on the English stage
    women playwrights, 1990-2000
    Author: Aston, Elaine
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486005
    Other identifier:
    Series: Cambridge studies in modern theatre
    Subjects: Women and literature; English drama; English drama; Feminism and literature; Feminist drama, English; Feminist drama, English ; History and criticism; Feminism and literature ; Great Britain ; History ; 20th century; Women and literature ; Great Britain ; History ; 20th century; English drama ; Women authors ; History and criticism; English drama ; 20th century ; History and criticism
    Scope: 1 Online-Ressource (x, 237 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Feminist views on the English stage
    women playwrights, 1990-2000
    Author: Aston, Elaine
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486005
    Other identifier:
    RVK Categories: HN 1220 ; HN 1261
    Series: Cambridge studies in modern theatre
    Subjects: Geschichte; Feminist drama, English / History and criticism; Feminism and literature / Great Britain / History / 20th century; Women and literature / Great Britain / History / 20th century; English drama / Women authors / History and criticism; English drama / 20th century / History and criticism; Dramatikerin; Frauendrama; Feminismus; Englisch
    Scope: 1 online resource (x, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
  4. Feminist views on the English stage
    women playwrights, 1990-2000
    Author: Aston, Elaine
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting... more

    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Peace Research Institute Frankfurt, Bibliothek
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Rostock
    Inter-library loan:
    No inter-library loan

    Location:
    Württembergische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486005
    Other identifier:
    Series: Cambridge studies in modern theatre
    Subjects: Women and literature; English drama; English drama; Feminism and literature; Feminist drama, English; Feminist drama, English ; History and criticism; Feminism and literature ; Great Britain ; History ; 20th century; Women and literature ; Great Britain ; History ; 20th century; English drama ; Women authors ; History and criticism; English drama ; 20th century ; History and criticism
    Scope: 1 Online-Ressource (x, 237 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)