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  1. Conrad and impressionism
    Author: Peters, John G.
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and... more

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    Universität Frankfurt, Elektronische Ressourcen
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    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485244
    RVK Categories: HM 2335
    Subjects: Impressionismus
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (xiii, 206 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Conrad and impressionism
    Author: Peters, John G.
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge ; EBSCO Industries, Inc., Birmingham, AL, USA

    John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511018843; 9780511018848; 051104688X; 9780511046889; 051111902X; 9780511119026; 9780521791731; 0521791731; 9780511485244; 0511485247; 1280154802; 9781280154805
    RVK Categories: HM 2335
    Subjects: Impressionismus
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (xiii, 206 pages)
    Notes:

    Includes bibliographical references (pages 189-201) and index
  3. Conrad and impressionism
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051104688X; 9780511046889; 9780521791731; 0521791731; 0511018843; 0511485247; 9780511018848; 051111902X; 9780511119026; 9780511485244
    Subjects: Impressionnisme dans la littérature; Narration; Impressionism in literature; Narration (Rhetoric); Narration (Rhetoric); Impressionism in literature; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Impressionism in literature; Narration (Rhetoric); Technique; Impressionisme; Romans; Engels
    Other subjects: Conrad, Joseph 1857-1924; Conrad, Joseph 1857-1924; Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph 1857-1924; Conrad, Joseph
    Scope: Online Ressource (xiii, 206 p.)
    Notes:

    Includes bibliographical references (p. 189-201) and index. - Description based on print version record

    Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; Abbreviations; INTRODUCTION Objects of consciousness in Conrad's impressionist world; CHAPTER 1 Subject/object: science and the epistemological origins of literary impressionism; CHAPTER 2 Objects and events in the primitive eye'': the epistemology of objectivity; CHAPTER 3 Other-like-self and other-unlike-self: the epistemology of subjectivity; CHAPTER 4 Sudden holes'' in time: the epistemology of temporality
  4. Conrad and impressionism
    Author: Peters, John Gerard
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485244
    Other identifier:
    Subjects: Impressionism in literature; Narration (Rhetoric); Conrad, Joseph ; 1857-1924 ; Technique; Narration (Rhetoric) ; History ; 20th century; Impressionism in literature
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (xiii, 206 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. Conrad and impressionism
    Author: Peters, John G.
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511018843; 051104688X; 051111902X; 0511485247; 0521791731; 9780511018848; 9780511046889; 9780511119026; 9780511485244; 9780521791731
    Subjects: Impressionnisme dans la littérature; Narration; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Impressionism in literature; Narration (Rhetoric); Technique; Impressionisme; Romans; Engels; Englisch; Impressionism in literature; Narration (Rhetoric); Impressionismus
    Other subjects: Conrad, Joseph / 1857-1924 / Criticism and interpretation; Conrad, Joseph / 1857-1924 / Technique; Conrad, Joseph / 1857-1924; Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (xiii, 206 pages)
    Notes:

    Includes bibliographical references (pages 189-201) and index

    Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; Abbreviations; INTRODUCTION Objects of consciousness in Conrad's impressionist world; CHAPTER 1 Subject/object: science and the epistemological origins of literary impressionism; CHAPTER 2 Objects and events in the primitive eye'': the epistemology of objectivity; CHAPTER 3 Other-like-self and other-unlike-self: the epistemology of subjectivity; CHAPTER 4 Sudden holes'' in time: the epistemology of temporality

    John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views
  6. Conrad and impressionism
    Author: Peters, John G.
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and... more

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    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485244
    Other identifier:
    RVK Categories: HM 2335
    Subjects: Geschichte; Narration (Rhetoric) / History / 20th century; Impressionism in literature; Impressionismus
    Other subjects: Conrad, Joseph / 1857-1924 / Technique; Conrad, Joseph (1857-1924)
    Scope: 1 online resource (xiii, 206 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue
  7. Conrad and impressionism
    Author: Peters, John Gerard
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485244
    Other identifier:
    Subjects: Impressionism in literature; Narration (Rhetoric); Conrad, Joseph ; 1857-1924 ; Technique; Narration (Rhetoric) ; History ; 20th century; Impressionism in literature
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (xiii, 206 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)