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  1. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

     
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    Source: Union catalogues
    Contributor: Higbee, Helen (Herausgeber); West, William N. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484070
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.

     
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    Source: Union catalogues
    Contributor: Higbee, Helen; West, William
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 9780511013089; 0521781302; 9780521781305; 0521787351; 9780521787352; 051111866X; 9780511118661; 9780511484070; 0511484070; 9780511046001; 0511046006; 0511153651; 9780511153655; 1280162171; 9781280162176
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers:... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers: distraction in authority --Pen and voice: versions of doubleness --"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) --Bifold authority in Troilus and Cressida --"Unworthy scaffold" for "so great an object" (Henry V) --Playing with a difference --To "disfigure, or to present" (A Midsummer Night's Dream) --To "descant" on difference and deformity (Richard III) --The "self-resembled show" --Presentation, or the performant function --Histories in Elizabethan performance --Disparity in mid-Elizabethan theatre history --Reforming "a whole theatre of others" (Hamlet) --From common player to excellent actor --Differentiation, exclusion, withdrawal --Hamlet and the purposes of playing --Renaissance writing and common playing --Unworthy antics in the glass of fashion --"When in one line two crafts directly meet" --(Word)play and the mirror of representation --Space (in)dividable: locus and platea revisited --Space as symbolic form: the locus --The open space: provenance and function --Locus and platea in Macbeth --Banqueting in Timon of Athens --Shakespeare's endings: commodious thresholds --Epilogues vs. closure --Ends of postponement: holiday into workaday --Thresholds to memory and commodity --Liminality: cultural authority 'betwixt-and-between'. Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521781302; 9780521781305; 0521787351; 9780521787352; 0511013086; 0511484070; 9780511013089; 051111866X; 9780511118661; 9780511484070
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater in literature; Acting in literature; Drama; Theater in literature; Acting in literature; Drama; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Acting in literature; Drama ; Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Criticism, interpretation, etc
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William
    Scope: Online Ressource (xiii, 298 p.)
    Notes:

    Includes bibliographical references (p. 269-288) and index. - Description based on print version record

    Introduction: conjunctures and conceptsPerformance and authority in Hamlet (1603)A new agenda for authorityThe "low and ignorant" crust of corruptionTowards a circulation of authority in the theatrePlayers, printers, preachers: distraction in authorityPen and voice: versions of doubleness"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine)Bifold authority in Troilus and Cressida"Unworthy scaffold" for "so great an object" (Henry V)Playing with a differenceTo "disfigure, or to present" (A Midsummer Night's Dream)To "descant" on difference and deformity (Richard III)The "self-resembled show"Presentation, or the performant functionHistories in Elizabethan performanceDisparity in mid-Elizabethan theatre historyReforming "a whole theatre of others" (Hamlet)From common player to excellent actorDifferentiation, exclusion, withdrawalHamlet and the purposes of playingRenaissance writing and common playingUnworthy antics in the glass of fashion"When in one line two crafts directly meet"(Word)play and the mirror of representationSpace (in)dividable: locus and platea revisitedSpace as symbolic form: the locusThe open space: provenance and functionLocus and platea in MacbethBanqueting in Timon of AthensShakespeare's endings: commodious thresholdsEpilogues vs. closureEnds of postponement: holiday into workadayThresholds to memory and commodityLiminality: cultural authority 'betwixt-and-between'.
  5. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Higbee, Helen (HerausgeberIn); West, William N. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484070
    Other identifier:
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Acting in literature; Drama; Theater in literature; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Dramatic production; Theater in literature; Acting in literature; Drama ; Technique
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'.
  6. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Higbee, Helen (Publisher); West, William N. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484070
    Other identifier:
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Wissen; Theater in literature; Acting in literature; Drama / Technique; Drama; Aufführung; Textproduktion
    Other subjects: Shakespeare, William / 1564-1616 / Knowledge / Performing arts; Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Dramatic production; Shakespeare, William (1564-1616)
    Scope: 1 online resource (xiii, 298 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Higbee, Helen (HerausgeberIn); West, William N. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484070
    Other identifier:
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Acting in literature; Drama; Theater in literature; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Dramatic production; Theater in literature; Acting in literature; Drama ; Technique
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'.