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  1. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483479
    RVK Categories: HI 1250
    Subjects: Englisch; Drama
    Scope: 1 Online-Ressource (x, 321 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "This book examines the hundred years of drama preceding Shakespeare in the light of a critical problem: English drama at the beginning of the sixteenth century was allegorical, didactic, and moralistic; but by the end of the century theatre was... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    "This book examines the hundred years of drama preceding Shakespeare in the light of a critical problem: English drama at the beginning of the sixteenth century was allegorical, didactic, and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist, and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century."--Jacket.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511004826; 9780511004827; 0511117221; 9780511117220; 9780511483479; 0511483473
    RVK Categories: HI 1250
    Subjects: Englisch; Drama
    Scope: 1 Online-Ressource (x, 321 pages)
    Notes:

    Includes bibliographical references (pages 249-312) and index
  3. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511004826; 0511117221; 0511483473; 9780511004827; 9780511117220; 9780511483479
    RVK Categories: HI 1250 ; HI 1260
    Subjects: Théâtre anglais / 16e siècle / Histoire et critique; Théâtre / Angleterre / Histoire / 16e siècle; Renaissance / Angleterre; Humanistes / Angleterre; DRAMA / English, Irish, Scottish, Welsh; Intellectual life; English drama / Early modern and Elizabethan; Humanists; Renaissance; Theater; Engels; Toneelstukken; Humanisme (cultuurgeschiedenis); Théâtre anglais / 16e siècle / Histoire et critique; Humanisme / Angleterre (GB); Théâtre (genre littéraire) / Angleterre (GB) / Histoire et critique / 16e siècle; Renaissance / Angleterre (GB); Drama; Drama; Englisch; Geschichte; English drama; Theater; Renaissance; Humanists; Humanismus; Englisch; Drama; Frühneuenglisch
    Scope: 1 Online-Ressource (x, 321 pages)
    Notes:

    Includes bibliographical references (pages 249-312) and index

    "This book examines the hundred years of drama preceding Shakespeare in the light of a critical problem: English drama at the beginning of the sixteenth century was allegorical, didactic, and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist, and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century."--Jacket

    The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment
  4. Theatre and humanism
    English drama in the sixteenth century
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    "This book examines the hundred years of drama preceding Shakespeare in the light of a critical problem: English drama at the beginning of the sixteenth century was allegorical, didactic, and moralistic; but by the end of the century theatre was... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "This book examines the hundred years of drama preceding Shakespeare in the light of a critical problem: English drama at the beginning of the sixteenth century was allegorical, didactic, and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist, and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century."--Jacket

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511004826; 9780511004827; 0511117221; 9780511117220; 9780511483479; 0511483473
    Subjects: English drama; Theater; Renaissance; Humanists; Théâtre anglais; Théâtre; Renaissance; Humanistes; Humanists; Renaissance; English drama; Theater; Humanists; English drama; Renaissance; Theater; English drama ; Early modern and Elizabethan; Humanists; Renaissance; Theater; Drama; Engels; Toneelstukken; Humanisme (cultuurgeschiedenis); Théâtre anglais ; 16e siècle ; Histoire et critique; Humanisme ; Angleterre (GB); Théâtre (genre littéraire) ; Angleterre (GB) ; Histoire et critique ; 16e siècle; Renaissance ; Angleterre (GB); DRAMA ; English, Irish, Scottish, Welsh; Intellectual life; Criticism, interpretation, etc; History
    Scope: Online Ressource (x, 321 pages)
    Notes:

    Includes bibliographical references (pages 249-312) and index. - Description based on print version record

    The humanism of acting: John Heywood's The foure ppWit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment.
  5. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483479
    Other identifier:
    Subjects: Renaissance; Humanists; Theater; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Theater ; England ; History ; 16th century; Renaissance ; England; Humanists ; England; England ; Intellectual life ; 16th century
    Scope: 1 Online-Ressource (x, 321 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... more

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    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483479
    Other identifier:
    RVK Categories: HI 1250 ; HI 1260
    Subjects: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / England / History / 16th century; Renaissance / England; Humanists / England; Drama; Englisch; Humanismus; Frühneuenglisch
    Scope: 1 online resource (x, 321 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment
  7. Theatre and humanism
    English drama in the sixteenth century
    Author: Cartwright, Kent
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483479
    Other identifier:
    Subjects: Renaissance; Humanists; Theater; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Theater ; England ; History ; 16th century; Renaissance ; England; Humanists ; England; England ; Intellectual life ; 16th century
    Scope: 1 Online-Ressource (x, 321 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)