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  1. The poetry of religious sorrow in early modern England
    Author: Kuchar, Gary
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge

    A new interpretation of the relations between theology and poetry in Milton, Donne, Shakespeare and others more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    A new interpretation of the relations between theology and poetry in Milton, Donne, Shakespeare and others

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1281751316; 9780521896696; 9780511414657; 9781281751317
    RVK Categories: HI 1161 ; HK 1091
    Subjects: Philosophy in literature; Religion in literature; Literature and society; Literature and society; Loss (Psychology) in literature; Theology in literature; Grief in literature; English poetry; Christian poetry, English
    Scope: Online-Ressource (xi, 241 p), 24 cm
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Abbreviations and notes on texts; Introduction: Of Sighs and Tears; CHAPTER 1 The poetry of tears and the ghost of Robert Southwell in Shakespeare's Richard II and Milton's Paradise Lost; CHAPTER 2 The poetry of tears and the metaphysics of grief: Richard Crashaw's "The Weeper"; CHAPTER 3 The poetry of tears and the metaphysics of grief: Andrew Marvell's "Eyes and Tears"; CHAPTER 4 Sad delight: Theology and Marian iconography in Aemilia Lanyer's Salve Deus Rex Judaeorum

    CHAPTER 5 Petrarchism and repentance in John Donne's Holy SonnetsCHAPTER 6 John Donne and the poetics of belatedness: Typology, trauma, and testimony in An Anatomy of the World; Conclusion; Index
  2. The poetry of religious sorrow in early modern England
    Author: Kuchar, Gary
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge, UK

    In early modern England, religious sorrow was seen as a form of spiritual dialogue between the soul and God, expressing how divine grace operates at the level of human emotion. Through close readings of both Protestant and Catholic poetry, Kuchar... more

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    Location:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    In early modern England, religious sorrow was seen as a form of spiritual dialogue between the soul and God, expressing how divine grace operates at the level of human emotion. Through close readings of both Protestant and Catholic poetry, Kuchar explains how the discourses of 'devout melancholy' helped generate some of the most engaging religious verse of the period. From Robert Southwell to John Milton, from Aemilia Lanyer to John Donne, the language of 'holy mourning' informed how poets represented the most intimate and enigmatic aspects of faith as lived experience. In turn, 'holy mourning' served as a way of registering some of the most pressing theological issues of the day. By tracing poetic representations of religious sorrow from Crashaw's devotional verse to Shakespeare's weeping kings, Kuchar expands our understanding of the interconnections between poetry, theology and emotion in post-Reformation England The poetry of tears and the ghost of Robert Southwell in Shakespeare's Richard II and Milton's Paradise lost -- The poetry of tears and the metaphysics of grief: Richard Crashaw's "The weeper" -- The poetry of tears and the metaphysics of grief: Andrew Marvell's "Eyes and tears" -- Sad delight: Theology and Marian iconography in Aemilia Lanyer's Salve Deus Rex Judaeorum -- Petrarchism and repentance in John Donne's Holy sonnets -- John Donne and the poetics of belatedness: typology, trauma, and testimony in an anatomy of the world.

     
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