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  1. Voices of the nation
    women and public speech in nineteenth-century American literature and culture
    Published: 1998
    Publisher:  Cambridge University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound and what reactions their speech produces, especially in their male listeners. Closer inspection of these recurring... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound and what reactions their speech produces, especially in their male listeners. Closer inspection of these recurring descriptions reveals that they also performed political work that has had a profound - though until now unspecified - impact on American culture. Caroline Leyander illustrates how commentaries on the female voice, propounded by such writers as Henry James, William Dean Howells, and Noah Webster, played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie. Levander also shows how nineteenth-century women authors depicted the female voice as a central theme in their novels and how these portrayals affected public speech.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511005733; 9780511005732; 9780521593748; 0521593743
    RVK Categories: HT 1520 ; HT 1691
    Series: Cambridge studies in American literature and culture ; 114
    Scope: 1 Online-Ressource (x, 186 pages)
    Notes:

    Revision of the author's thesis (Ph. D.)--Trinity University

    Includes bibliographical references (pages 167-180) and index

  2. Voices of the nation
    women and public speech in nineteenth-century American literature and culture
    Published: 1998
    Publisher:  Cambridge University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511005733; 9780511005732
    RVK Categories: HT 1691
    Series: Cambridge studies in American literature and culture ; 114
    Subjects: LITERARY CRITICISM / American / General; Vrouwen; Redenaars; Engagement; Romans; Amerikaans; Frau; Geschichte; American fiction; Women and literature; American fiction; Public speaking for women; Public speaking for women in literature; Oratory in literature; Speech in literature; Voice in literature; Women in literature; Sprache <Motiv>; Rede <Motiv>; Frauenstimme <Motiv>; Frauenroman; Frau <Motiv>; Frauensingstimme; Roman
    Scope: 1 Online-Ressource (x, 186 pages)
    Notes:

    Revision of the author's thesis (Ph. D.)--Trinity University

    Includes bibliographical references (pages 167-180) and index

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound and what reactions their speech produces, especially in their male listeners. Closer inspection of these recurring descriptions reveals that they also performed political work that has had a profound - though until now unspecified - impact on American culture. Caroline Leyander illustrates how commentaries on the female voice, propounded by such writers as Henry James, William Dean Howells, and Noah Webster, played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie. Levander also shows how nineteenth-century women authors depicted the female voice as a central theme in their novels and how these portrayals affected public speech

    Introduction : gender, speech, and nineteenth-century American life -- Bawdy talk : the politics of women's public speech in Henry James's The Bostonians and Sarah J. Hale's The lecturess -- "Foul-mouthed women" : disembodiment and public discourse in Herman Melville's Pierre and E.D.E.N Southworth's The fatal marriage -- Incarnate words : nativism, nationalism, and the female body in Maria Monk's Awful disclosures -- Southern oratory and the slavery debate in Caroline Lee Hentz's The planters northern bride and Harriet Jacobs's Incidents in the life of a slave girl -- Partners in speech : reforming labor, class, and the working woman's body in Elizabeth Stuart Phelps's The silent partner -- "Queer trimmings" : dressing, cross-dressing, and woman's suffrage in Lillie Devereaux Blake's Fettered for life -- Conclusion : women and political activism at the turn into the twentieth century

  3. Voices of the nation
    women and public speech in nineteenth-century American literature and culture
    Published: 1998
    Publisher:  Cambridge University Press, New York

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound and what reactions their speech produces, especially in their male listeners. Closer inspection of these recurring... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound and what reactions their speech produces, especially in their male listeners. Closer inspection of these recurring descriptions reveals that they also performed political work that has had a profound - though until now unspecified - impact on American culture. Caroline Leyander illustrates how commentaries on the female voice, propounded by such writers as Henry James, William Dean Howells, and Noah Webster, played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie. Levander also shows how nineteenth-century women authors depicted the female voice as a central theme in their novels and how these portrayals affected public speech

     

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