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Displaying results 1 to 2 of 2.

  1. The captive stage
    performance and the proslavery imagination of the antebellum North
    Author: Jones, Douglas A.
    Published: 2014
    Publisher:  University of Michigan Press, Ann Arbor

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HT 1784 J76
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2014 A 19012
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472072262; 9780472052264
    RVK Categories: HT 1784
    Series: Theater: Theory / Text/Performance
    Subjects: African Americans in the performing arts; Northeastern states; Race discrimination; Whites; Blackface entertainers; Racism in popular culture; Slavery
    Scope: x, 218 pages, illustrations, 24 cm
    Notes:

    Includes bibliographical references (pages 171-206) and index

    Introduction: the "common sense" of slavery in the free Antebellum NorthSetting the stage of black freedom: parades and "presence" in the New Nation -- Black politics but not black people: early minstrelsy, "white slavery", and the wedge of "blackness" -- Washington and the slave: black deformations, proslavery domesticity, and re-staging the birth of the nation -- The theatocracy of antebellum social reform: "monkeyism" and the mode of romantic racialism -- Melodrama and the performance of slave testimony; or, William Wells Brown's Inability to Escape -- Epilogue: no exit, but a new stage.
  2. The captive stage
    performance and the proslavery imagination of the antebellum North
    Author: Jones, Douglas A.
    Published: [2014]
    Publisher:  University of Michigan Press, Ann Arbor

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HT 1784 J76
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2014 A 19012
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2016 A 8411
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472072262; 9780472052264
    RVK Categories: HT 1784
    Series: Theater: theory/text/performance
    Subjects: African Americans in the performing arts; Northeastern states; Race discrimination; Whites; Blackface entertainers; Racism in popular culture; Slavery
    Scope: X, 218 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (pages 171-206) and index

    Includes bibliographical references and index

    Introduction: the "common sense" of slavery in the free Antebellum NorthSetting the stage of black freedom: parades and "presence" in the New Nation -- Black politics but not black people: early minstrelsy, "white slavery", and the wedge of "blackness" -- Washington and the slave: black deformations, proslavery domesticity, and re-staging the birth of the nation -- The theatocracy of antebellum social reform: "monkeyism" and the mode of romantic racialism -- Melodrama and the performance of slave testimony; or, William Wells Brown's Inability to Escape -- Epilogue: no exit, but a new stage.