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  1. American Poetry in Performance
    From Walt Whitman to Hip Hop
    Author: Hoffman, Tyler
    Published: 2013
    Publisher:  University of Michigan Press, Ann Arbor ; [ProQuest], [Ann Arbor, Michigan]

    Performance poetry, identity, and nationality throughout American history. more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Location:
    Universitätsbibliothek Gießen
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    Performance poetry, identity, and nationality throughout American history.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472029631
    Scope: 1 Online-Ressource (282 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  2. American Poetry in Performance
    From Walt Whitman to Hip Hop
    Author: Hoffman, Tyler
    Published: 2013
    Publisher:  University of Michigan Press, Ann Arbor

    Performance poetry, identity, and nationality throughout American history more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    Performance poetry, identity, and nationality throughout American history

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472029631; 9780472035526
    RVK Categories: HR 1769 ; LR 57710
    Subjects: Geschichte; American poetry -- African American authors -- History and criticism; American poetry -- History and criticism; Oral interpretation of poetry; Performance poetry -- United States -- History and criticism; Poetry slams -- United States -- History; Performance <Künste>; Literatur
    Scope: 1 online resource (282 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. American poetry in performance
    from Walt Whitman to Hip Hop
    Author: Hoffman, Tyler
    Published: 2013
    Publisher:  University of Michigan Press, Ann Arbor

    ""Acknowledgments""; ""Contents""; ""Introduction""; ""Chapter 1 -- Walt Whitman "Live": Performing the Public Sphere""; ""Chapter 2 -- The Ordeal of Vachel Lindsay, or The Cultural Politics of the Spoken Word""; ""Chapter 3 -- " The Black Man... more

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    Location:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    ""Acknowledgments""; ""Contents""; ""Introduction""; ""Chapter 1 -- Walt Whitman "Live": Performing the Public Sphere""; ""Chapter 2 -- The Ordeal of Vachel Lindsay, or The Cultural Politics of the Spoken Word""; ""Chapter 3 -- " The Black Man Speaks": Langston Hughes, the New Negro, and the Sounds of Citizenship""; ""Chapter 4 -- Beat Acoustics, Presence, and Resistance""; ""Chapter 5 -- "Rappin' and Readin' ": The Frequencies of the Black Arts""; ""Chapter 6 -- Slam Nation: Immediacy, Mediatization, and the Counterpublic Sphere""; ""Afterword""; ""Notes""; ""Index"" American Performance Poetry is the first book to trace a comprehensive history of performance poetry in America from Whitman through the rap-meets-poetry scene and to show how the performance of poetry is bound up with the performance of identity and nationality in the modern period. This book will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page. Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. In doing so, American Performance Poetry explores public poets confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness Annotation

     
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  4. American poetry in performance
    from Walt Whitman to hip hop
    Author: Hoffman, Tyler
    Published: 2011
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction -- Walt Whitman "live": performing the public sphere -- The ordeal of Vachel Lindsay, or the cultural politics of the spoken word -- "The Black man speaks": Langston Hughes, the new Negro, and the sounds of citizenship -- Beat acoustics,... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

     

    Introduction -- Walt Whitman "live": performing the public sphere -- The ordeal of Vachel Lindsay, or the cultural politics of the spoken word -- "The Black man speaks": Langston Hughes, the new Negro, and the sounds of citizenship -- Beat acoustics, presence, and resistance -- "Rappin' and readin'": the frequencies of the Black arts -- Slam nation: immediacy, mediatization, and the counterpublic sphere

     
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