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  1. The future imaginary in indigenous North American arts and literatures
    Published: 2022
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367754815; 9780367754822
    RVK Categories: HV 17220 ; HQ 4045
    Series: Routledge research in transnational indigenous perspectives
    Subjects: Kunst; Indigenes Volk; Literatur
    Other subjects: Science fiction, American / Indian authors / History and criticism; American fiction / 21st century / History and criticism; Science fiction, Canadian / Indian authors / History and criticism; Canadian fiction / 21st century / History and criticism; Indian art / North American; Indian arts / Canadian / 21st century; Indian arts / United States / 21st century; Arts indiens d'Amérique / États-Unis / 21e siècle; Indian art; Indian arts; United States; 2000-2099; Criticism, interpretation, etc
    Scope: 237 Seiten, Illustration
    Notes:

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy

  2. The future imaginary in indigenous North American arts and literatures
    Published: 2022
    Publisher:  Routledge, London

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy. "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780367754815; 9780367754822
    RVK Categories: LO 96730
    Series: Routledge research in transnational indigenous perspectives
    Subjects: Science fiction, American; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Indian arts; Indian arts
    Scope: 237 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    "This book is a revised version of the doctoral dissertation 'Signifying futures : future imaginaries in indigenous North American literatures and new media arts', written and defended at the Europa-Universität Flensburg."

    Dissertation, Europa-Universität Flensburg, 2019

  3. The future imaginary in indigenous North American arts and literatures
    Published: 2022
    Publisher:  Routledge, London

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    LO 96730 2022 003
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 142985
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    HR 1726 B338
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    HR 1726 B338+2
    No inter-library loan
    Max-Planck-Institut für ausländisches und internationales Privatrecht, Bibliothek
    Allg. 4401: 195
    No loan of volumes, only paper copies will be sent

     

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy. "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780367754815; 9780367754822
    RVK Categories: LO 96730
    Series: Routledge research in transnational indigenous perspectives
    Subjects: Science fiction, American; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Indian arts; Indian arts
    Scope: 237 Seiten, Illustrationen
    Notes:

    Dissertation, Europa-Universität Flensburg, 2019