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  1. The materiality of exhibition photography in the modernist era
    form, content, consequence
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    "This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography's place in the museum was not only continually questioned, but also continually... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography's place in the museum was not only continually questioned, but also continually redefined. By taking this historical approach, Laurie Taylor demonstrates the ways in which materiality (as opposed to image) was used to privilege the exhibited photograph as either an artwork or as non-art information. Consequently, the exhibited photograph is revealed, like its vernacular cousins, to be a social object whose material form, far from being supplemental, is instead integral and essential to the generation of meaning. The book will be of interest to scholars working in art history, history of photography, theory of photography, curatorial studies, and museum studies"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367427696
    Other identifier:
    9780367854980
    RVK Categories: AP 92100
    Series: Routledge history of photography
    Subjects: Photography; Photography
    Scope: 139 Seiten, Illustrationen
    Notes:

    Enthält bibliographische Angaben und Index

    Hier auch später erschienene, unveränderte Nachdrucke

  2. The materiality of exhibition photography in the modernist era
    form, content, consequence
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    "This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography's place in the museum was not only continually questioned, but also continually... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2021:1995:
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    documenta archiv, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    "This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography's place in the museum was not only continually questioned, but also continually redefined. By taking this historical approach, Laurie Taylor demonstrates the ways in which materiality (as opposed to image) was used to privilege the exhibited photograph as either an artwork or as non-art information. Consequently, the exhibited photograph is revealed, like its vernacular cousins, to be a social object whose material form, far from being supplemental, is instead integral and essential to the generation of meaning. The book will be of interest to scholars working in art history, history of photography, theory of photography, curatorial studies, and museum studies"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367427696
    Other identifier:
    9780367854980
    RVK Categories: AP 92100
    Series: Routledge history of photography
    Subjects: Photography; Photography
    Scope: 139 Seiten, Illustrationen
    Notes:

    Enthält bibliographische Angaben und Index

    Hier auch später erschienene, unveränderte Nachdrucke