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  1. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, Philadelphia

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.236.72
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    16/HD 218 W862
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    Universität Gießen, Bibliothek Anglistik
    Y CS 12
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    Universität Marburg, Universitätsbibliothek
    001 AP 88780 W862
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780306816161; 0306815095; 9780306815096
    RVK Categories: HD 218 ; EC 7120 ; AP 88780
    Edition: 1. Da Capo Press ed.
    Subjects: Comic; Literaturtheorie; Wahrnehmung; Bild; Text
    Scope: VIII, 405 S., Ill.
  2. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, Cambridge, Mass.

    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel Pt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0306815095; 9780306815096; 9780306816161
    Other identifier:
    9780306815096
    2007005232
    RVK Categories: EC 7120 ; LH 71410 ; LO 96700
    Subjects: Comic books, strips, etc; Comic books, strips, etc
    Scope: VIII, 405 S., Ill., 24 cm
    Notes:

    Includes index

    Pt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave

  3. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, New York

    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's... more

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Internationale Jugendbibliothek
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    Stiftung Bayerisches Amerikahaus gGmbH, Information und Recherche, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780306815096; 9780306816161
    RVK Categories: AP 88752
    Edition: 1. Da Capo Press ed.
    Subjects: Comic books, strips, etc; Wahrnehmung; Literaturtheorie; Text; Bild; Comic
    Scope: VIII, 405 S., Ill.
  4. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, [Cambridge, Mass.]

    Universitätsbibliothek der RWTH Aachen
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    Universitätsbibliothek Bielefeld
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitätsbibliothek der RPTU in Landau
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Paderborn
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780306815096; 0306815095; 9780306816161
    Edition: 1. Da Capo Press ed.
    Subjects: Comic books, strips, etc
    Scope: VIII, 405 S. : Ill., 24cm
  5. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, [Cambridge, Mass.]

    Universitätsbibliothek der RWTH Aachen
    (1)054847
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bielefeld
    OK280 W862
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    Ruhr-Universität Bochum, Fakultät für Philologie, Institut für Medienwissenschaft, Bibliothek
    Ci V/3/2
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    Universitäts- und Landesbibliothek Bonn
    2012/5233
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    Universitäts- und Landesbibliothek Düsseldorf
    anga885.w862
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    Universitätsbibliothek Duisburg-Essen
    BPN1616
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    Universitätsbibliothek Koblenz
    KU/U 2015 1883/2
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    Universitätsbibliothek Koblenz
    KU/U 2015 1883
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    Seminar für Deutsche Sprache und ihre Didaktik, Bibliothek
    312/VI/Hb52
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    Seminar für Theologie und ihre Didaktik, Bibliothek
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    Englische Seminar II, Bibliothek
    313/Deb10WOL07
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    Universitätsbibliothek der RPTU in Landau
    eng 49-47
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    Englisches Seminar der Universität, Bibliothek
    LIT GZ 2007:2
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    Bibliothek für Erziehungswissenschaft und Kommunikationswissenschaft
    FK/EC 7120 W862
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    Universitätsbibliothek Paderborn
    BPN1543
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    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780306815096; 0306815095; 9780306816161
    Edition: 1. Da Capo Press ed.
    Subjects: Comic books, strips, etc.; Wahrnehmung; Comic; Literaturtheorie
    Scope: VIII, 405 S., Ill., 24cm
  6. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, New York

    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780306815096; 9780306816161
    RVK Categories: AP 88752
    Edition: 1. Da Capo Press ed.
    Subjects: Comic books, strips, etc; Wahrnehmung; Literaturtheorie; Text; Bild; Comic
    Scope: VIII, 405 S., Ill.
  7. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, Cambridge, Mass.

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780306816161; 0306816164
    RVK Categories: AP 88980 ; EC 7120 ; LH 71410
    Subjects: Comic books, strips, etc.
    Scope: VIII, 405 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 373 - 390

  8. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, Cambridge, Mass.

    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum Europäischer Kulturen, Bibliothek
    8° 19324
    No inter-library loan
    Universitätsbibliothek Braunschweig
    Y-970
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
    EC 7120 W862
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    Universitätsbibliothek Freiburg
    GE 2008/1996
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    Zeppelin Universität gGmbH, Bibliothek
    EC 7120 W862
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2007 A 14884
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    A 9.4.4.-16
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    HH 6B/Wo 1
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    Anglistisches Seminar der Universität, Bibliothek
    D KM 13
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    Seminar für Sprachen und Kulturen des Vorderen Orients, Bibliothek
    Ae 281
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    Universitätsbibliothek Hildesheim
    GER 666 : W55
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    Universitätsbibliothek Hildesheim
    GER 666 : W55,b
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    Universitätsbibliothek Kiel, Zentralbibliothek
    IL-Com 00/2007
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    Universitätsbibliothek Mannheim
    500 EC 7120 W862
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    Universität Potsdam, Universitätsbibliothek
    EC 7120 WOL
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    Universität des Saarlandes, Fachrichtung Germanistik, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der Eberhard Karls Universität
    47 A 10680
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    The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel Pt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0306815095; 9780306815096; 9780306816161
    Other identifier:
    9780306815096
    2007005232
    RVK Categories: EC 7120 ; LH 71410 ; LO 96700
    Subjects: Comic books, strips, etc; Comic books, strips, etc
    Scope: VIII, 405 S., Ill., 24 cm
    Notes:

    Includes index

    Pt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave

  9. Reading comics
    how graphic novels work and what they mean
    Published: 2007
    Publisher:  Da Capo Press, Philadelphia

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.236.72
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    16/HD 218 W862
    No inter-library loan
    Export to reference management software   RIS file
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    Content information
    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780306816161; 0306815095; 9780306815096
    RVK Categories: HD 218 ; EC 7120 ; AP 88780
    Edition: 1. Da Capo Press ed.
    Subjects: Comic; Literaturtheorie; Wahrnehmung; Bild; Text
    Scope: VIII, 405 S., Ill.