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  1. Art and intimacy
    how the arts began
    Published: 2000; © 2000
    Publisher:  University of Washington Press, Seattle, [Washington] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780295979113; 9780295997469
    Subjects: Arts and society; Intimacy (Psychology); Entwicklung; Künste; Intimsphäre; Gesellschaft; Kunst; Ästhetik
    Scope: 1 online resource (284 pages)
    Notes:

    "A McLellan book."

    Description based on print version record

  2. Art and intimacy
    how the arts began
    Published: ©2000
    Publisher:  University of Washington Press, Seattle, Wa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780295997469; 029599746X; 0295979119; 9780295979113
    Subjects: Kunst / Gesellschaft; Arts and society; Intimacy (Psychology); Ästhetik; Entwicklung; Gesellschaft; Intimsphäre; Kunst; Künste; Intimsphäre; Künste; Entwicklung; ART / General; Array; Ästhetik; Künste; Kunst; Gesellschaft; Entwicklung; Intimsphäre
    Scope: 1 online resource (xvii, 265 pages), illustrations
    Notes:

    "A McLellan book."

    Print version record

    Mutuality -- Belonging -- Finding and making meaning -- Hands-on competence -- Elaborating -- Taking the arts seriously -- Appendix : toward a naturalistic aesthetics

    "Ellen Dissanayake argues for the joint evolutionary origin of art and intimacy, what we commonly call love. Because humans are born predisposed to respond to and use rhythmic-modal signals, societies everywhere have elaborated them further as music, mime, dance, and display, in rituals which instill and reinforce valued cultural beliefs. Just as rhythms and modes coordinate and unify the mother-infant pair, in ceremonies they coordinate and unify members of a group. If we are biologically predisposed to participate in art-like behavior, then we actually need the arts. Even - perhaps especially - in our fast-paced, sophisticated modern lives, the arts encourage us to show that we care about important things."--Jacket