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  1. Visual Aggression
    Images of Martyrdom in Late Medieval Germany
    Published: 2021
    Publisher:  Pennsylvania State University Press, University Park, PA ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    RVK Categories: LK 83340 ; LK 10205
    DDC Categories: 700
    Edition: 1st ed.
    Subjects: Kunst; Märtyrer <Motiv>; Martyrium <Motiv>; Gewalt <Motiv>; Folter <Motiv>
    Scope: 1 Online-Ressource (215 pages)
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  2. Visual aggression
    images of Martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  3. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  4. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

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    TU Berlin, Universitätsbibliothek
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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  5. Visual aggression
    images of Martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  6. Visual aggression
    images of martyrdom in late medieval Germany
    Published: 2021; ©2021
    Publisher:  Penn State University Press, University Park

    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3:... more

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    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3: Bodily Imagination, Imagined Bodies -- Notes to Chapter 3 -- Chapter 4: Eroticized and Sexualized Bodies -- Notes to Chapter 4 -- Chapter 5: The Body Reincarnated -- Notes to Chapter 5 -- Notes -- Bibliography -- Index.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval; Electronic books
    Scope: 1 online resource (215 pages)
    Notes:

    Description based on publisher supplied metadata and other sources