Narrow Search
Last searches

Results for *

Displaying results 1 to 6 of 6.

  1. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253022677
    RVK Categories: LC 91534 ; LC 91535
    Series: African expressive cultures
    Subjects: Art; Art; Europeans in African art; Wit and humor in art; Violence in art; Art; Art, Congolese (Democratic Republic); Art, African; Art; Art; Art; Art, African; Art, Congolese (Democratic Republic); Europeans in African art; Violence in art; Wit and humor in art
    Scope: xv, 344 pages, illustrations, 23 cm
  2. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253022677
    RVK Categories: LC 91535
    Series: African expressive cultures
    Subjects: Kunst; Europabild; Kunst; Gewalt <Motiv>; Humor <Motiv>
    Other subjects: Art / Congo (Democratic Republic); Art / Congo (Brazzaville); Europeans in African art; Wit and humor in art; Violence in art; Art / Africa, Central; Art, Congolese (Democratic Republic) / Themes, motives; Art, African / Themes, motives
    Scope: xv, 344 Seiten, Illustrationen
    Notes:

    Introduction -- Warning! What do you see? A white man? Or an overdressed one? -- New commodities on the Loango Coast (1840-1880) -- Depictions of human trafficking on Loango ivories in the 1880s -- Humor in the hygiene of power (ca. 1885-1915) -- By Congolese, for Congolese (1910s-1940s) -- The African victim in the Congolese imaginary (1950s-1997) -- Coda: Congolese perspectives on humor and redemption

  3. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780253022677
    RVK Categories: LC 91535
    Series: African expressive cultures
    Subjects: Kunst; Europabild; Kunst; Gewalt <Motiv>; Humor <Motiv>
    Other subjects: Art / Congo (Democratic Republic); Art / Congo (Brazzaville); Europeans in African art; Wit and humor in art; Violence in art; Art / Africa, Central; Art, Congolese (Democratic Republic) / Themes, motives; Art, African / Themes, motives
    Scope: xv, 344 Seiten, Illustrationen
    Notes:

    Introduction -- Warning! What do you see? A white man? Or an overdressed one? -- New commodities on the Loango Coast (1840-1880) -- Depictions of human trafficking on Loango ivories in the 1880s -- Humor in the hygiene of power (ca. 1885-1915) -- By Congolese, for Congolese (1910s-1940s) -- The African victim in the Congolese imaginary (1950s-1997) -- Coda: Congolese perspectives on humor and redemption

  4. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str
    No loan of volumes, only paper copies will be sent
    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str (a)
    No loan of volumes, only paper copies will be sent
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan
    Weltkulturen Museum, Bibliothek
    Af III 549
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    9: PS:Str/31799
    No inter-library loan
    Niedersächsisches Landesmuseum Hannover, Bibliothek
    AL 1.4.6,STR
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2020 C 243
    Unlimited inter-library loan, copies and loan
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  5. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    14/H. p. 249
    No inter-library loan
    Universität Mainz, Bereichsbibliothek Rechts- und Wirtschaftswissenschaften / Ethnologie und Afrikastudien
    Af 6 1728
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253022677
    RVK Categories: LC 91535
    Series: African expressive cultures
    Subjects: Kunst; Europabild; Humor <Motiv>; Gewalt <Motiv>
    Scope: xv, 344 Seiten, Illustrationen
  6. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

    Export to reference management software   RIS file
      BibTeX file
    Content information