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  1. Postcolonial Artists and Global Aesthetics
    Published: 2011
    Publisher:  Indiana University Press, Bloomington, IN ; EBSCO Industries, Inc., Birmingham, AL, USA

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253005502; 0253005507
    Series: African expressive cultures
    Subjects: Film; Literatur; Postkolonialismus; Globalisierung; Kulturkontakt; Schwarze
    Scope: 1 Online-Ressource (xix, 230 pages), Illustrations
    Notes:

    Includes bibliographical references, filmography and index

  2. Postcolonial Artists and Global Aesthetics
    Published: ©2011
    Publisher:  Indiana University Press, Bloomington, IN

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0253005507; 1283235927; 9780253005502; 9781283235921
    RVK Categories: EP 20002 ; LB 52800 ; LC 95465
    Series: African expressive cultures
    Subjects: Africa / In motion pictures; Motion pictures / Social aspects / Africa; SOCIAL SCIENCE / Media Studies; Film; Gesellschaft; Sozialwissenschaften; Social sciences; Fine Arts; Motion pictures; Motion pictures and globalization; Intercultural communication in motion pictures; Literature and globalization; African diaspora in literature; Literature and society; Postkolonialismus; Kulturkontakt; Film; Schwarze; Globalisierung; Literatur
    Scope: 1 Online-Ressource (xix, 230 pages)
    Notes:

    Includes bibliographical references, filmography and index

    Cover; Contents; Preface; Acknowledgments; Introduction: Generic Transformations at the Crossroads of Capital; 1. C.L.R. James Sees the World Steadily; 2. Fitful Decolonization; 3. Tunde Kelani's Nollywood; 4. Jean-Pierre Bekolo and the Challenges of Aesthetic Populism; 5. Imaginary Citizenship: Caryl Phillips's Atlantic World; 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire; Conclusion: Being African in the World; Notes; List of References; Filmography; Index

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that

  3. Postcolonial artists and global aesthetics
    Published: c2011
    Publisher:  Indiana University Press, Bloomington

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253005502
    RVK Categories: EP 20002 ; LB 52800 ; LC 95465
    Series: African expressive cultures
    Subjects: Film; Gesellschaft; Motion pictures; Motion pictures and globalization; Intercultural communication in motion pictures; Literature and globalization; African diaspora in literature; Literature and society; Postkolonialismus; Kulturkontakt; Film; Schwarze; Globalisierung; Literatur
    Scope: xix, 230 p.
    Notes:

    Includes bibliographical references, filmography and index

  4. Postcolonial artists and global aesthetics
    Published: 2011
    Publisher:  Indiana Univ. Press, Bloomington [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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  5. Postcolonial Artists and Global Aesthetics
    Postcolonial Artists and Global Aesthetics
    Published: 2011; ©2011.
    Publisher:  Indiana University Press, Bloomington, IN

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Unlimited inter-library loan, copies and loan

     

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms. Cover -- Table of Contents -- Preface -- Acknowledgments -- Introduction: Generic Transformations at the Crossroads of Capital -- 1. C. L. R. James Sees the World Steadily -- 2. Fitful Decolonization:Xala and the Poetics of Double Fetishism -- 3. T unde Kelani's Nollywood: Aesthetics of Exhortation -- 4. Jean-PierreBekolo and the Challenges of Aesthetic Populism -- 5. Imaginary Citizenship: Caryl Phillips's Atlantic World -- 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire -- Conclusion: Being African in the World -- Notes -- List of References -- Filmography -- Index.

     

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  6. Postcolonial Artists and Global Aesthetics
    Postcolonial Artists and Global Aesthetics
    Published: 2011; ©2011.
    Publisher:  Indiana University Press, Bloomington, IN

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of... more

    Access:
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    No inter-library loan
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    eBook ProQuest
    No inter-library loan
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms. Cover -- Table of Contents -- Preface -- Acknowledgments -- Introduction: Generic Transformations at the Crossroads of Capital -- 1. C. L. R. James Sees the World Steadily -- 2. Fitful Decolonization:Xala and the Poetics of Double Fetishism -- 3. T unde Kelani's Nollywood: Aesthetics of Exhortation -- 4. Jean-PierreBekolo and the Challenges of Aesthetic Populism -- 5. Imaginary Citizenship: Caryl Phillips's Atlantic World -- 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire -- Conclusion: Being African in the World -- Notes -- List of References -- Filmography -- Index.

     

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  7. Postcolonial artists and global aesthetics
    Published: c2011
    Publisher:  Indiana University Press, Bloomington, IN

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that

     

    Export to reference management software   RIS file
      BibTeX file