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  1. The Tale of Genji
    Translation, Canonization, and World Literature
    Author: Emmerich, Michael
    Published: [2013]; © 2013
    Publisher:  Columbia University Press, New York, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231534420
    Other identifier:
    Subjects: Literatur in anderen Sprachen; LITERARY CRITICISM / Asian / General; LITERARY CRITICISM / Asian / Japanese; Japanese literature; Japanese literature
    Scope: 1 online resource (512 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  2. The tale of Genji
    translation, canonization, and world literature
    Author: Emmerich, Michael
    Published: 2013
    Publisher:  Columbia University Press, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231534420
    RVK Categories: EI 5207
    Subjects: Japanese literature
    Other subjects: Murasaki Shikibu / 978?-; Murasaki Shikibu (978?-): Genji monogatari
    Scope: 1 online resource (513 pages)
    Notes:

    Description based on print version record
  3. The Tale of Genji
    translation, canonization, and world literature
    Author: Emmerich, Michael
    Published: ©2013
    Publisher:  Columbia University Press, New York

    "Ambitious and engrossing, this volume thoroughly revises the conventional narrative of The Tale of Genji's early modern and modern history, arguing that until the 1930s readers were less familiar with the eleventh-century work than scholars have... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Ambitious and engrossing, this volume thoroughly revises the conventional narrative of The Tale of Genji's early modern and modern history, arguing that until the 1930s readers were less familiar with the eleventh-century work than scholars have assumed. Exploring iterations of the work from the 1830s to the 1950s, Michael Emmerich demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing not only our understanding of its significance and influence but also the processes that have canonized the text. In doing so, he supplants the passive concept of 'reception' with the active notion of 'replacement, ' revitalizing the work of literary criticism"--Provided by publisher Acknowledgments; A Note to the Reader; Introduction: Replacing the Text; PART I: Ninety-Nine Years in the Life of an Image; TOUCHSTONE 1: Reimagining the Canon; CHAPTER 1 -- A Gōkan Is a Gōkan Is a Gōkan: Inaka Genji Beyond Parody; CHAPTER 2 -- Reading Higashiyama: Image, Text, and Book in Inaka Genji; CHAPTER 3 -- Turning a New Page: Bibliographic Translation and the Yomihonization of Inaka Genji; PART II: In Medias Res; TOUCHSTONE 2: The Triangle; CHAPTER 4 -- The History of a Romance: Genji Before Waley; CHAPTER 5 -- From the World to the Nation: Making Genji Ours. CHAPTER 6 -- " Genji monogatari: Translation and Original"Conclusion: Turning to Translation, Returning to Translation; Notes; Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0231534426; 9780231534420
    Subjects: Japanese literature; LITERARY CRITICISM ; Asian ; Japanese; LITERARY CRITICISM ; Asian ; General; Japanese literature ; Heian period; Criticism, interpretation, etc
    Other subjects: Murasaki Shikibu (978?-): Genji monogatari
    Scope: 1 Online-Ressource (xv, 494 pages)
    Notes:

    Includes bibliographical references and index
  4. The tale of Genji
    translation, canonization, and world literature
    Author: Emmerich, Michael
    Published: 2013
    Publisher:  Columbia Univ. Pr., New York, NY

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 896196
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    6: E-913.36/29
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    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    PL788.4.G463 E468 2013
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231534420; 9780231162722
    RVK Categories: EI 5207
    Subjects: Japanese literature
    Other subjects: Murasaki Shikibu (978?-): Genji monogatari
    Scope: XV, 497 S., Ill.
    Notes:

    Includes bibliographical references and index
  5. The Tale of Genji
    Translation, Canonization, and World Literature
    Author: Emmerich, Michael
    Published: [2013]; © 2013
    Publisher:  Columbia University Press, New York, NY

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231534420
    Other identifier:
    Subjects: Literatur in anderen Sprachen; LITERARY CRITICISM / Asian / General; LITERARY CRITICISM / Asian / Japanese; Japanese literature; Japanese literature
    Scope: 1 online resource (512 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community
  6. The Tale of Genji
    Translation, Canonization, and World Literature
    Author: Emmerich, Michael
    Published: 2013; ©2013.
    Publisher:  Columbia University Press, New York, NY

    Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of... more

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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Greifswald
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek der Eberhard Karls Universität
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community.

     
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