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  1. Visions of Belonging
    Family Stories, Popular Culture, and Postwar Democracy, 1940-1960
    Author: Smith, Judith E.
    Published: [2004]; © 2004
    Publisher:  Columbia University Press, New York, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231509268
    Other identifier:
    Series: Princeton Classic Editions
    Subjects: Culture and History of non-European Territories; Global History; History; Geschichte; Arts, American; Families; Popular culture; Gesellschaft; Pop-Kultur; Alltag; Literatur
    Scope: 1 online resource, 32 photos
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015)

    :
  2. Visions of Belonging
    Family Stories, Popular Culture, and Postwar Democracy, 1940-1960
    Author: Smith, Judith E.
    Published: [2004]; © 2004
    Publisher:  Columbia University Press, New York, NY

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231509268
    Other identifier:
    Series: Princeton Classic Editions
    Subjects: Culture and History of non-European Territories; Global History; History; Geschichte; Arts, American; Families; Popular culture; Popkultur; Gesellschaft; Alltag; Literatur
    Scope: 1 online resource, 32 photos
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015)

    Visions of Belonging explores how A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun helped define visions of belonging in America in the postwar years and into the 1950s. Judith E. Smith traces the cultural trajectory of these family stories as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. She draws on the testimony of authors, directors, readers, and viewers from both sides of the color line to reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide unusually close access to a vibrant conversation about the boundaries between public life and family matters and the meanings of race and ethnicity. They also reacquaint the reader with a time in which the possibilities for social transformation seemed boundless but actual change was fiercely resisted. Smith crosses disciplinary boundaries by probing the social history of literary, dramatic, and cinematic texts. Her innovative use of archival research sets authorial intent next to audience reception and shows how both contribute to contested conceptions of American belonging