Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 4 of 4.

  1. Residual futures
    the urban ecologies of literary and visual media of 1960s and 1970s Japan
    Author: Prichard, Franz
    Published: [2019]; © 2019
    Publisher:  Columbia University Press, New York

    Prelude to the traffic war : infrastructural aesthetics of the Cold War -- Disappearance : topological visuality in Abe Kobo's urban literature -- Landscape vocabularies : for a language to come and the geopolitics of reading from Topoi to media --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 72174
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    HT147.J3 P757 2019
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Prelude to the traffic war : infrastructural aesthetics of the Cold War -- Disappearance : topological visuality in Abe Kobo's urban literature -- Landscape vocabularies : for a language to come and the geopolitics of reading from Topoi to media -- An illustrated dictionary of urban overflows -- Photography as threshold and pathway after reversion -- Residual futures. "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in this book tell a story of radical criticism, thought, and cultural practice at a time of rapid change in Japan and across East Asia. In the first chapter, Prichard examines the documentary filmmaker Tsuchimoto Noriaki's engagement with the dispossession effected by the material remaking of Tokyo ahead of the 1964 Olympics. Chapter two undertakes a "topological analysis" of Abe Kobo's late-1960s writings, focusing on the themes of anonymity and urban sociality. In the last three chapters, Prichard explores the critical and photographic work of Nakahira Takuma, who elaborates, along with other critics with whom he enters into dialogue, what Prichard calls "a radical discourse of landscape"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231191319
    RVK Categories: MS 1870
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Urban ecology (Sociology); Urbanization; Social ecology; Mass media
    Scope: x, 268 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Residual futures
    the urban ecologies of literary and visual media of 1960s and 1970s Japan
    Author: Prichard, Franz
    Published: [2019]; © 2019
    Publisher:  Columbia University Press, New York

    "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in... more

    Location:
    Gemeinsame Fachbibliothek Asien / Japanologie
    Signature:
    JAP/L2-6Pri1
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Trier
    Signature:
    od38654
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in this book tell a story of radical criticism, thought, and cultural practice at a time of rapid change in Japan and across East Asia. In the first chapter, Prichard examines the documentary filmmaker Tsuchimoto Noriaki's engagement with the dispossession effected by the material remaking of Tokyo ahead of the 1964 Olympics. Chapter two undertakes a "topological analysis" of Abe Kobo's late-1960s writings, focusing on the themes of anonymity and urban sociality. In the last three chapters, Prichard explores the critical and photographic work of Nakahira Takuma, who elaborates, along with other critics with whom he enters into dialogue, what Prichard calls "a radical discourse of landscape"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231191302; 9780231191319
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Urban ecology (Sociology); Urbanization; Social ecology; Mass media; Großstadt <Motiv>; Japanisch; Literatur; Visuelle Medien; Kulturwandel <Motiv>
    Other subjects: Literatur; Literaturgeschichte; Gegenwart (1945-); Stadt und Land; Ästhetik; Furusato; Landschaft; Medien
    Scope: X, 268 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  3. Residual futures
    the urban ecologies of literary and visual media of 1960s and 1970s Japan
    Author: Prichard, Franz
    Published: [2019]; © 2019
    Publisher:  Columbia University Press, New York

    Prelude to the traffic war : infrastructural aesthetics of the Cold War -- Disappearance : topological visuality in Abe Kobo's urban literature -- Landscape vocabularies : for a language to come and the geopolitics of reading from Topoi to media --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Prelude to the traffic war : infrastructural aesthetics of the Cold War -- Disappearance : topological visuality in Abe Kobo's urban literature -- Landscape vocabularies : for a language to come and the geopolitics of reading from Topoi to media -- An illustrated dictionary of urban overflows -- Photography as threshold and pathway after reversion -- Residual futures. "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in this book tell a story of radical criticism, thought, and cultural practice at a time of rapid change in Japan and across East Asia. In the first chapter, Prichard examines the documentary filmmaker Tsuchimoto Noriaki's engagement with the dispossession effected by the material remaking of Tokyo ahead of the 1964 Olympics. Chapter two undertakes a "topological analysis" of Abe Kobo's late-1960s writings, focusing on the themes of anonymity and urban sociality. In the last three chapters, Prichard explores the critical and photographic work of Nakahira Takuma, who elaborates, along with other critics with whom he enters into dialogue, what Prichard calls "a radical discourse of landscape"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231191319
    RVK Categories: MS 1870
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Urban ecology (Sociology); Urbanization; Social ecology; Mass media
    Scope: x, 268 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  4. Residual futures
    the urban ecologies of literary and visual media of 1960s and 1970s Japan
    Author: Prichard, Franz
    Published: [2019]; © 2019
    Publisher:  Columbia University Press, New York

    "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in... more

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Trier
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The first book-length study of the ways in which filmmakers, writers, photographers, and other artists came to grips with Japan's urbanization and integration into the U.S. geopolitical system in the 1960s and 70s. The works Prichard discusses in this book tell a story of radical criticism, thought, and cultural practice at a time of rapid change in Japan and across East Asia. In the first chapter, Prichard examines the documentary filmmaker Tsuchimoto Noriaki's engagement with the dispossession effected by the material remaking of Tokyo ahead of the 1964 Olympics. Chapter two undertakes a "topological analysis" of Abe Kobo's late-1960s writings, focusing on the themes of anonymity and urban sociality. In the last three chapters, Prichard explores the critical and photographic work of Nakahira Takuma, who elaborates, along with other critics with whom he enters into dialogue, what Prichard calls "a radical discourse of landscape"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231191302; 9780231191319
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Urban ecology (Sociology); Urbanization; Social ecology; Mass media
    Scope: X, 268 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index