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Displaying results 1 to 6 of 6.

  1. Antagonistic cooperation
    Jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G.
    Published: [2022]
    Publisher:  Columbia University Press, New York

    Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G.... more

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    WU828 O55
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231189187; 9780231189194
    Other identifier:
    9780231189187
    Series: Leonard Hastings Schoff lectures
    Other subjects: Amerikanische Literatur; 20. Jahrhundert (1900 - 2000; Jazz; USA; Literarische Strömungen & Epochen; Kunstgeschichte; Array; Array; Array
    Scope: xiii, 275 Seiten, Illustrationen, 235 mm.
  2. Antagonistic cooperation
    jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G.
    Published: [2022]
    Publisher:  Columbia University Press, New York

    "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G.... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231189194; 9780231189187
    Series: Leonard Hastings Schoff memorial lectures
    Subjects: Literatur; Musik; Schwarze; Kunst; Jazz
    Other subjects: Jazz / History and criticism; African American art; American literature / African American authors / History and criticism; African Americans / Social life and customs; Music and literature; Art and music; Collage; Art noir américain; Noirs américains / Mœurs et coutumes; Musique et littérature; Art et musique; Collage (Art); collage (technique); MUSIC / History & Criticism; African American art; African Americans / Social life and customs; American literature / African American authors; Art and music; Collage; Jazz; Music and literature; Lecture; lectures; Criticism, interpretation, etc; Lectures; Lectures; Conférences
    Scope: xiii, 275 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished
  3. Antagonistic cooperation
    jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G.
    Published: [2022]; © 2022
    Publisher:  Columbia University Press, New York

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    781.650973 OME
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231189194; 9780231189187
    RVK Categories: LS 48200
    Series: Leonard Hastings Schoff memorial lectures
    Subjects: Schwarze; Musik; Jazz; Modern Jazz; Kunst; Literatur; Collage; Fiktion
    Scope: xiii, 275 Seiten, 8 ungezählte Seiten, Illustrationen
  4. Antagonistic cooperation
    jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G.
    Published: 2022
    Publisher:  Columbia University Press, New York

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished. "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231189187; 9780231189194
    RVK Categories: LS 48200
    Series: Leonard Hastings Schoff memorial lectures
    Subjects: Jazz; African American art; American literature; African Americans; Music and literature; Art and music; Collage; Lectures
    Scope: xiii, 275 Seiten, Illustrationen
    Notes:

    Includes index
  5. Antagonistic cooperation
    Jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G
    Published: [2022]
    Publisher:  Columbia University Press, New York

    Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G.... more

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231189187; 9780231189194
    Other identifier:
    9780231189187
    Series: Leonard Hastings Schoff lectures
    Subjects: MUSIC / Genres & Styles / Jazz; LITERARY CRITICISM / Modern / 20th Century; ART / American / African American
    Other subjects: Amerikanische Literatur; 20. Jahrhundert (1900 - 2000; Jazz; USA; Literarische Strömungen & Epochen; Kunstgeschichte
    Scope: xiii, 275 Seiten, Illustrationen, 235 mm
  6. Antagonistic cooperation
    jazz, collage, fiction, and the shaping of African American culture
    Author: O'Meally, Robert G.
    Published: 2022
    Publisher:  Columbia University Press, New York

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    8 A 7532
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    72/10373
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished. "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231189187; 9780231189194
    RVK Categories: LS 48200
    Series: Leonard Hastings Schoff memorial lectures
    Subjects: Jazz; African American art; American literature; African Americans; Music and literature; Art and music; Collage; Lectures
    Scope: xiii, 275 Seiten, Illustrationen
    Notes:

    Includes index