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  1. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 785548
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 949.7 blac/796
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 14043
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell
    Scope: XI, 225 S.
    Notes:

    Literaturverz.: S. 199-216

    Hier auch später erschienene, unveränderte Nachdrucke

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  2. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    angm910.r988
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230623156; 0230623158
    Edition: 1. ed.
    Other subjects: Williams, Sherley Anne, 1944-1999--Criticism and interpretation.; Sanchez, Sonia, 1934---Criticism and interpretation.; Cortez, Jayne--Criticism and interpretation.; Coleman, Wanda--Criticism and interpretation.; Mullen, Harryette Romell--Criticism and interpretation.; American poetry--African American authors--History and criticism.; American poetry--Women authors--History and criticism.; Jazz in literature.; Literature and society--United States--History--20th century.; African American women--Intellectual life--20th century.; Feminism and literature--United States--History--20th century.; Poetics--History--20th century.; Music and literature--History--20th century.
    Scope: XI, 225 S., 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

  3. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Universitätsbibliothek Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
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  4. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230623156; 0230623158
    Edition: 1. ed.
    Subjects: Williams, Sherley Anne, 1944-1999--Criticism and interpretation; Sanchez, Sonia, 1934---Criticism and interpretation; Cortez, Jayne--Criticism and interpretation; Coleman, Wanda--Criticism and interpretation; Mullen, Harryette Romell--Criticism and interpretation; American poetry--African American authors--History and criticism; American poetry--Women authors--History and criticism; Jazz in literature; Literature and society--United States--History--20th century; African American women--Intellectual life--20th century; Feminism and literature--United States--History--20th century; Poetics--History--20th century; Music and literature--History--20th century
    Scope: XI, 225 S., 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

  5. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
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  6. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 785548
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 949.7 blac/796
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 14043
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    500 HU 1769 R988
    No inter-library loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230623158; 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Edition: First edition
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell; Array; Array; Array; Array; Array; Array; Array; Jazz in literature; Array; Array
    Scope: xi, 225 Seiten, Illustrationen, 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  7. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230623158; 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Edition: First edition
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell; Array; Array; Array; Array; Array; Array; Array; Jazz in literature; Array; Array
    Scope: xi, 225 Seiten, Illustrationen, 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  8. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. This book examines the jazz-influenced work of five... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282909975; 0230623158; 9780230109094; 9781282909977; 9780230623156
    Edition: 1st ed
    Subjects: American poetry; American poetry; Jazz in literature; Literature and society; African American women; Feminism and literature; Poetics; Music and literature
    Other subjects: Mullen, Harryette Romell; Sanchez, Sonia (1934-); Coleman, Wanda; Williams, Sherley Anne (1944-1999); Cortez, Jayne
    Scope: Online-Ressource (xi, 225 p), ill
    Notes:

    Includes bibliographical references (p. [199]-216) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Acknowledgments; Permissions; Introduction: How Do I Make that Sound? A New Feminist Poetics; 1 Finding Her Voice: The Body Politics of Sherley Anne Williams's Blues; 2 Nationhood Re-Formed: Revolutionary Style and Practice in Sonia Sanchez's Jazz Poetics; 3 Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez; 4 Shape-Shifting: The Urban Geographies of Wanda Coleman's Jazz Poetry; 5 Jazz's Word for It: Harryette Mullen and the Politics of Intellectualism; Conclusion: ""Too Many Books For Our Eyes""; Future Politics, Future Poetries; Notes; Bibliography

    Index