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Displaying results 1 to 6 of 6.

  1. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A.; Hallett, Elaine S.
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    ango86943.h186
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  2. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A.
    Published: 2011
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.829.09
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signature:
    SL A 35 I
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 HI 3375 H186
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    Source: Union catalogues
    Contributor: Hallett, Elaine S.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671; 0230113672
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas (1478-1535): The history of King Richard the Third
    Scope: X, 293 S., 22x15x2 cm
    Notes:

    Literaturverz. S. [275] - 280
  3. <<The>> artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A; Hallett, Elaine S
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

  4. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A.; Hallett, Elaine S.
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking for that made him seize upon More's History per se and base Richard III entirely on the brief four-month period covered in More's book, compressing time rather than telescoping it? What did Shakespeare find in More that resulted in his amazing new ability to create dramatic scenes of the sort that one finds in Richard's wooing of the Citizens at Baynard's Castle, which More himself did not dramatize but harshly denigrated? What was the imaginative process that enabled Shakespeare to create the scenes in which Richard woos first Lady Anne and later Queen Elizabeth (neither of which are in More) on the model of what he learned from writing the Baynard's Castle scene? How was Shakespeare able to separate out More's negative and disparaging view of Richard's thespian abilities (which, More assures his readers, everyone instantly saw through) from the buoyant and positive view that Shakespeare's Richard offers of his own powers as dramatist, presenter, actor, and would-be king? All of these questions need to be answered. No book has yet attempted to define in specific terms either what Shakespeare learned from his study of More's History or how he learned it. This book, we hope, is unique. Shakespeare's newly discovered dramatic techniques are explicated in the various chapters with clarity and strength in a way that can benefit future generations of artists"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671
    Other identifier:
    9780230113671
    RVK Categories: HI 2915 ; HI 3451
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv; ; More, Thomas; Shakespeare, William;
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas Saint (1478-1535): History of King Richard the Third; Shakespeare, William (1564-1616): King Richard III; Richard King of England (1452-1485); Shakespeare, William (1564-1616)
    Scope: X, 293 S., 22 cm
  5. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A.; Hallett, Elaine S.
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 852214
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2012/4548
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2011 A 18623
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2011 A 11119
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Br 6011
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    62/13692
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    65.1335
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking for that made him seize upon More's History per se and base Richard III entirely on the brief four-month period covered in More's book, compressing time rather than telescoping it? What did Shakespeare find in More that resulted in his amazing new ability to create dramatic scenes of the sort that one finds in Richard's wooing of the Citizens at Baynard's Castle, which More himself did not dramatize but harshly denigrated? What was the imaginative process that enabled Shakespeare to create the scenes in which Richard woos first Lady Anne and later Queen Elizabeth (neither of which are in More) on the model of what he learned from writing the Baynard's Castle scene? How was Shakespeare able to separate out More's negative and disparaging view of Richard's thespian abilities (which, More assures his readers, everyone instantly saw through) from the buoyant and positive view that Shakespeare's Richard offers of his own powers as dramatist, presenter, actor, and would-be king? All of these questions need to be answered. No book has yet attempted to define in specific terms either what Shakespeare learned from his study of More's History or how he learned it. This book, we hope, is unique. Shakespeare's newly discovered dramatic techniques are explicated in the various chapters with clarity and strength in a way that can benefit future generations of artists"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671
    Other identifier:
    9780230113671
    RVK Categories: HI 2915 ; HI 3451
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv; ; More, Thomas; Shakespeare, William;
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas Saint (1478-1535): History of King Richard the Third; Shakespeare, William (1564-1616): King Richard III; Richard King of England (1452-1485); Shakespeare, William (1564-1616)
    Scope: X, 293 S., 22 cm
  6. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Author: Hallett, Charles A.
    Published: 2011
    Publisher:  Palgrave Macmillan, New York

    The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. This book defines,in specific terms, what... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. This book defines,in specific terms, what Shakespeare learned from his study of More's History and how he learned it. "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking for that made him seize upon More's History per se and base Richard III entirely on the brief four-month period covered in More's book, compressing time rather than telescoping it? What did Shakespeare find in More that resulted in his amazing new ability to create dramatic scenes of the sort that one finds in Richard's wooing of the Citizens at Baynard's Castle, which More himself did not dramatize but harshly denigrated? What was the imaginative process that enabled Shakespeare to create the scenes in which Richard woos first Lady Anne and later Queen Elizabeth (neither of which are in More) on the model of what he learned from writing the Baynard's Castle scene? How was Shakespeare able to separate out More's negative and disparaging view of Richard's thespian abilities (which, More assures his readers, everyone instantly saw through) from the buoyant and positive view that Shakespeare's Richard offers of his own powers as dramatist, presenter, actor, and would-be king? All of these questions need to be answered. No book has yet attempted to define in specific terms either what Shakespeare learned from his study of More's History or how he learned it. This book, we hope, is unique. Shakespeare's newly discovered dramatic techniques are explicated in the various chapters with clarity and strength in a way that can benefit future generations of artists"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230113671; 1283158930; 9781283158930
    Edition: 1st ed
    Other subjects: Shakespeare, William (1564-1616): King Richard III; Shakespeare, William (1564-1616); More, Thomas Sir, Saint (1478-1535): History of King Richard the Third; Richard King of England (1452-1485); Shakespeare, William (1564-1616): King Richard III
    Scope: Online-Ressource (x, 293 p)
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Titlepage; Copyright; Dedication; Contents; Acknowledgments; Introduction; Preface: Shakespeare's Search for the Essence of Dramatic Form; 1 "More Virtually Does Shakespeare's Work for Him": Dogmas of the "More Myth"; Part I Inspiration: Re- envisioning the Historical Narrative from the Protagonist's Point of View; 2 "Thou Art a Traitor. Off with His Head!": Applying the Ricardian Shock to De Casibus Narrative; 3 "For on That Ground I'll Make a Holy Descant-": Two Con Men Show How Their Thespian Skills Brought Richard's Cause "to a Happy Issue"

    Part II The Supreme Achievement: Shakespeare's Discoveries Perfected and Applied4 "Was Ever Woman in This Humor Woo'd? / Was Ever Woman in This Humor Won?": Richard's Boast of His Prowess as Lover and Playwright; Part III Expanding the Perspective: The Dynamics of the Play's "Geological Fault"; 5 "The Most Arch Act of Piteous Massacre / That Ever Yet This Land Was Guilty of ": How Shakespeare's Method of Exposing Richard Differs from More's; 6 "To Her Go I, a Jolly Thriving Wooer": The Second Wooing Scene (4.4.199-431)

    7 "Here Pitch Our Tent, Even Here in Bosworth Field": Meanwhile, Back at the Tetralogy . . .8 Later Uses of the Ricardian Template: Crafting the Fifth Act of Coriolanus; Epilogue; Appendix: Interlocking Episodes of Action: Shakespeare's Use of More's "Rusty Armor" Scene (3.5.1-109); Notes; Works Cited; Shakespeare's Richard III-Index of Scenes Analyzed; Index