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Displaying results 1 to 4 of 4.

  1. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]; © 2019
    Publisher:  The University of Chicago Press, Chicago ; Walter de Gruyter GmbH, London

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    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    RVK Categories: LC 87640 ; LS 48700
    DDC Categories: 780
    Series: Chicago studies in ethnomusicology
    Subjects: Antikolonialismus; Postkolonialismus; Volksmusik; Gwoka
    Scope: 1 Online-Ressource
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2020
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Chicago scholarship online
    Subjects: Antikolonialismus; Postkolonialismus; Volksmusik; Gwoka; Popular music; Popular music; Postcolonialism and music
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Previously issued in print: 2019

    Includes bibliographical references, discography and index
  3. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  4. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star