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  1. Poetry in a world of things
    aesthetics and empiricism in Renaissance ekphrasis
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    We have become used to looking at art from a stance of detachment. In order to be objective, we create a 'mental space' between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    We have become used to looking at art from a stance of detachment. In order to be objective, we create a 'mental space' between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as 'things in themselves' - things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance 'discovery' of the observable world. Here, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226516752
    Other identifier:
    RVK Categories: HI 1249
    Series: Chicago scholarship online
    Subjects: Englisch; Poetik; Lyrik; Ekphrasis; Renaissance; European poetry; Poetry, Modern; Ekphrasis
    Other subjects: Spenser, Edmund (1552?-1599): Faerie queene; Marlowe, Christopher (1564-1593): Hero and Leander; Shakespeare, William (1564-1616): Rape of Lucrece; Petrarca, Francesco (1304-1374); Marlowe, Christopher (1564-1593): Hero and Leander; Shakespeare, William (1564-1616): Lucrece; Spenser, Edmund (1552-1599): The faerie queene
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Previously issued in print: 2018

    Includes bibliographical references and index

  2. Poetry in a world of things
    aesthetics and empiricism in Renaissance ekphrasis
    Published: 2018
    Publisher:  The University of Chicago Press, Chicago ; London

    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226516615; 9780226516752
    RVK Categories: HI 1249
    Subjects: European poetry; Poetry, Modern; Ekphrasis; Renaissance; Lyrik; Ekphrasis; Englisch
    Other subjects: Spenser, Edmund (1552?-1599); Marlowe, Christopher (1564-1593); Shakespeare, William (1564-1616); Petrarca, Francesco (1304-1374); Marlowe, Christopher (1564-1593): Hero and Leander; Shakespeare, William (1564-1616): Lucrece; Spenser, Edmund (1552-1599): The faerie queene 3
    Scope: 1 Online-Ressource (208 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  3. Poetry in a world of things
    aesthetics and empiricism in Renaissance ekphrasis
    Published: 2018
    Publisher:  The University of Chicago Press, Chicago

    Frontmatter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Subjectivity and the Antiquarian Object: Petrarch among the Ruins of Rome -- 3. Here Comes Objectivity: Spenser’s 1590 The Faerie Queene, Book 3 -- 4. Playing with Things:... more

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    Universitätsbibliothek Stuttgart
    No inter-library loan

     

    Frontmatter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Subjectivity and the Antiquarian Object: Petrarch among the Ruins of Rome -- 3. Here Comes Objectivity: Spenser’s 1590 The Faerie Queene, Book 3 -- 4. Playing with Things: Reification in Marlowe’s Hero and Leander -- 5. Feeling like a Fragment: Shakespeare’s The Rape of Lucrece -- 6. Coda: Make Me Not Object -- Bibliography -- Index We have become used to looking at art from a stance of detachment. In order to be objective, we create a “mental space” between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as “things in themselves”—things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance “discovery” of the observable world. In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226516752
    Other identifier:
    RVK Categories: HI 1249
    Subjects: Ekphrasis; European poetry; Poetry, Modern; LITERARY CRITICISM / General; Ekphrasis; European poetry; Poetry, Modern; Marlowe, Christopher; Petrarca, Francesco; Shakespeare, William; Spenser, Edmund
    Scope: 1 Online-Ressource (ix, 191 Seiten), Illustrationen
    Notes:

    restricted access online access with authorization star

  4. Poetry in a World of Things
    Aesthetics and Empiricism in Renaissance Ekphrasis
    Published: 2018
    Publisher:  University of Chicago Press, Chicago

    Intro -- Contents -- Acknowledgments -- 1. Introduction -- 2 Subjectivity and the Antiquarian Object: Petrarch among the Ruins of Rome -- 3. Here Comes Objectivity: Spenser’s 1590 The Faerie Queene, Book 3 -- 4. Playing with Things: Reification in... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Intro -- Contents -- Acknowledgments -- 1. Introduction -- 2 Subjectivity and the Antiquarian Object: Petrarch among the Ruins of Rome -- 3. Here Comes Objectivity: Spenser’s 1590 The Faerie Queene, Book 3 -- 4. Playing with Things: Reification in Marlowe’s Hero and Leander -- 5. Feeling like a Fragment: Shakespeare’s The Rape of Lucrece -- 6. Coda: Make Me Not Object -- Bibliography -- Index

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226516752
    Scope: 1 Online-Ressource (202 pages)