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  1. Chromatic algorithms
    synthetic color, computer art, and aesthetics after code
    Author: Kane, Carolyn L.
    Published: 2014
    Publisher:  Univ. of Chicago Press, Chicago and London

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Deutsches Museum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226002736; 9780226002873
    RVK Categories: EC 8795
    Subjects: Computerkunst; Chromatik; Algorithmus; Ästhetik; Kunst; Farbgestaltung; Algorithmus; Farbe; Neue Medien; Chromatik; Farbcodierung; Computerkunst; Medienkunst; Computergrafik; Ästhetik
    Scope: 343 S., zahlr. Ill., graph. Darst., 26 cm
    Notes:

    Includes bibliographical references and index

    How color became code -- Chromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age
  2. Chromatic algorithms
    synthetic color, computer art, and aesthetics after code
    Author: Kane, Carolyn
    Published: 2014
    Publisher:  The University of Chicago Press, Chicago

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226002736; 9780226002873
    RVK Categories: EC 8795 ; LH 65829 ; LH 65880
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Art and technology; Computer art; Color
    Notes:

    Includes bibliographical references and index

    How color became codeChromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.

    How color became codeChromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.
  3. Chromatic Algorithms
    Synthetic Color, Computer Art, and Aesthetics after Code
    Author: Kane, Carolyn L
    Published: [2021]
    Publisher:  University of Chicago Press, Chicago

    Frontmatter -- Contents -- Introduction. How Color Became Code -- Part 1. Chromatic Visions (400 B.C.–1969) -- 1. Colors Sacred and Synthetic -- 2. Synthetic Color in Video Synthesis -- Part 2. Disciplining Color: Encounters with Number and Code... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

     

    Frontmatter -- Contents -- Introduction. How Color Became Code -- Part 1. Chromatic Visions (400 B.C.–1969) -- 1. Colors Sacred and Synthetic -- 2. Synthetic Color in Video Synthesis -- Part 2. Disciplining Color: Encounters with Number and Code (1965–1984) -- 3. Informatic Color and Aesthetic Transformations in Early Computer Art -- 4. Collaborative Computer Art and Experimental Color Systems -- 5. From Chromakey to the Alpha Channel -- Part 3. “Transparent” Screens for Opaque Ontology (1984–2007) -- 6. Digital Infrared as Algorithmic Lifeworld -- 7. The Photoshop Cinema -- Postscript. A New Dark Age -- Acknowledgments -- Notes -- Bibliography -- Index These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226002873
    Other identifier:
    RVK Categories: EC 8795
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Art and technology; Color; Computer art
    Scope: 1 Online-Ressource (328 p), 114 color plates, 15 halftones, 3 line drawings, 1 table
  4. Chromatic algorithms
    synthetic color, computer art, and aesthetics after code
    Author: Kane, Carolyn
    Published: 2014
    Publisher:  The University of Chicago Press, Chicago

    Location:
    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signature:
    ND1489 K36 2014
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2014:6570:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 161438
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    Fkc 0010
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 EC 8795 K16
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    No inter-library loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226002736; 9780226002873
    RVK Categories: EC 8795 ; LH 65829 ; LH 65880
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Art and technology; Computer art; Color
    Notes:

    Includes bibliographical references and index

    How color became codeChromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.

    How color became codeChromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.