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  1. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York, NY [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 9780415700481; 9780415700498; 9780203413036; 0415700493; 0203413032
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Edition: 1. publ.
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: XIII, 256 S., Ill., 25 cm
    Notes:

    Literaturverz. S. [247] - 248
  2. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: c2006
    Publisher:  Routledge, New York, NY [u.a.]

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Lichtwiese
    Signature:
    /AP 55400 A461
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    88.167.68
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    25 Asl 430/04 SAY
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    Universität Mainz, Zentralbibliothek
    Signature:
    237.017
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700493; 9780415700498; 0415700485; 9780415700481; 0203413032; 9780203413036
    RVK Categories: AP 55400 ; AP 55700
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>
    Scope: XIII, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  3. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 9780203413036
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>; Vie urbaine au cinéma; Villes au cinéma; Cities and towns in motion pictures; City and town life in motion pictures; Architektur; Film; Kino; Städtebau
    Scope: xiii, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  4. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 9780203413036
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>; Vie urbaine au cinéma; Villes au cinéma; Cities and towns in motion pictures; City and town life in motion pictures; Architektur; Film; Kino; Städtebau
    Scope: xiii, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  5. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: [2006]; © 2006
    Publisher:  Routledge, Taylor & Francis Group, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.9.6.ALS
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 697319
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    Staats- und Universitätsbibliothek Bremen
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    a tea 875.5/198
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    HafenCity Universität Hamburg, Bibliothek
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    AP 50300 007
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    Thüringer Universitäts- und Landesbibliothek
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    KMW:KG:1000:Alsa::2006
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bk 6870
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universität Leipzig, Universitätsbibliothek, Bibliothek Medizin/Naturwissenschaften
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    tea 875.5 DE 4934
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    Location:
    Universität Stuttgart, Fakultätsbibliothek Architektur und Stadtplanung
    Signature:
    E 2**0056
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    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). -- Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 0203413032; 9780203413036
    Other identifier:
    2006007637
    RVK Categories: AP 50300 ; RB 10627
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: xiii, 256 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 247-248

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