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  1. On repeat
    how music plays the mind
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199990825
    RVK Categories: LR 56650
    Subjects: Musik; Wiederholung;
    Scope: XI, 204 S., Ill., graph. Darst., Notenbeisp.
    Notes:

    Literaturverz. S. 181 - 196

  2. On repeat
    how music plays the mind
    Published: [2014]; ©2014
    Publisher:  Oxford University Press, Oxford

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    8 A 3205
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    Kd 459
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199990825
    RVK Categories: LR 56650
    Subjects: Repetition in music; Music; Musical perception; Cognition
    Scope: XI, 204 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverzeichnis Seite 181-196

    The puzzle of musical repetition -- From acoustic to perceived repetition -- Attention, temporality, and music that repeats Itself -- Earworms, technology, and the verbatim -- Relistenings -- In performance -- Overt participation, implied participation -- Repetition, music, and mind.

  3. On Repeat
    How Music Plays the Mind
    Published: 2013
    Publisher:  Oxford University Press, USA, Cary

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    /
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199990825; 9780199990849 (Sekundärausgabe)
    RVK Categories: LR 56650
    Subjects: Musik; Wiederholung; Wahrnehmung; Kognition
    Scope: 219 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:

  4. On repeat
    how music plays the mind
    Published: 2014
    Publisher:  Oxford University Press, New York

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    009 LR 56650 M331
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
    25 Mus PG 0045
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    281.923
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199990824; 9780199990825
    RVK Categories: LR 56650
    Subjects: Musik; Wiederholung; Wahrnehmung; Kognition
    Scope: XI, 204 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index.

  5. On repeat
    how music plays the mind
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Universitätsbibliothek Bamberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199990825
    RVK Categories: LR 56650
    Subjects: Repetition in music; Music--Psychological aspects; Musical perception; Cognition; Musik; Musikpsychologie; Musikwahrnehmung; Wiederholung <Motiv>; Kognition; Wiederholung
    Scope: XI, 204 S., Ill., graph. Darst., Notenbeisp.
  6. On repeat
    how music plays the mind
    Published: [2014]; © 2014
    Publisher:  Oxford University Press, Oxford

    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a... more

    Universitätsbibliothek Dortmund
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    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an "earworm" burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. Its centrality has been acknowledged by everyone from evolutionary biologist W. Tecumseh Fitch, who has called it a "design feature" of music, to the composer Arnold Schoenberg who admitted that "intelligibility in music seems to be impossible without repetition." And yet, stunningly little is actually understood about repetition and its role in music. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. Author Elizabeth Hellmuth Margulis draws on a diverse array of fields including music theory, psycholinguistics, neuroscience, and cognitive psychology, to look head-on at the underlying perceptual mechanisms associated with repetition. Her work sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and then moves beyond music to consider related implications for repetition in language, learning, and communication. Written in engaging prose, and enlivening otherwise complex concepts for the specialist and non-specialist alike, On Repeat will captivate scholars and students across numerous disciplines from music theory and history, to psychology and neuroscience-and anyone fascinated by the puzzle of repetition in music

     

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    Content information
    04
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199990825
    Other identifier:
    9780199990825
    Subjects: Repetition in music / Music / Psychological aspects / Musical perception / Cognition / MUSIC / Instruction & Study / Theory / Cognition / Music / Psychological aspects / Musical perception / Repetition in music
    Scope: XI, 204 Seiten, Illustrationen, Notenbeispiele
  7. On repeat
    how music plays the mind
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780199990825
    RVK Categories: LR 56650
    Subjects: Repetition in music; Music--Psychological aspects; Musical perception; Cognition; Musik; Musikpsychologie; Musikwahrnehmung; Wiederholung <Motiv>; Kognition; Wiederholung
    Scope: XI, 204 S., Ill., graph. Darst., Notenbeisp.
  8. On repeat
    how music plays the mind
    Published: [2014]; ©2014
    Publisher:  Oxford University Press, Oxford

    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Kd 459
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    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an "earworm" burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. Its centrality has been acknowledged by everyone from evolutionary biologist W. Tecumseh Fitch, who has called it a "design feature" of music, to the composer Arnold Schoenberg who admitted that "intelligibility in music seems to be impossible without repetition." And yet, stunningly little is actually understood about repetition and its role in music. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. Author Elizabeth Hellmuth Margulis draws on a diverse array of fields including music theory, psycholinguistics, neuroscience, and cognitive psychology, to look head-on at the underlying perceptual mechanisms associated with repetition. Her work sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and then moves beyond music to consider related implications for repetition in language, learning, and communication. Written in engaging prose, and enlivening otherwise complex concepts for the specialist and non-specialist alike, On Repeat will captivate scholars and students across numerous disciplines from music theory and history, to psychology and neuroscience-and anyone fascinated by the puzzle of repetition in music.

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199990825
    RVK Categories: LR 56650
    Subjects: Repetition in music; Music; Musical perception; Cognition; Repetition in music; Musik; Wiederholung; Musikwahrnehmung; Kognition
    Scope: XI, 204 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverzeichnis Seite 181-196

    The puzzle of musical repetition -- From acoustic to perceived repetition -- Attention, temporality, and music that repeats Itself -- Earworms, technology, and the verbatim -- Relistenings -- In performance -- Overt participation, implied participation -- Repetition, music, and mind.

  9. On repeat
    how music plays the mind
    Published: [2014]; © 2014
    Publisher:  Oxford University Press, Oxford

    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a... more

    Universitätsbibliothek Dortmund
    Yf 5777
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    Sbc 20 / Mar
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    What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an "earworm" burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. Its centrality has been acknowledged by everyone from evolutionary biologist W. Tecumseh Fitch, who has called it a "design feature" of music, to the composer Arnold Schoenberg who admitted that "intelligibility in music seems to be impossible without repetition." And yet, stunningly little is actually understood about repetition and its role in music. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. Author Elizabeth Hellmuth Margulis draws on a diverse array of fields including music theory, psycholinguistics, neuroscience, and cognitive psychology, to look head-on at the underlying perceptual mechanisms associated with repetition. Her work sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and then moves beyond music to consider related implications for repetition in language, learning, and communication. Written in engaging prose, and enlivening otherwise complex concepts for the specialist and non-specialist alike, On Repeat will captivate scholars and students across numerous disciplines from music theory and history, to psychology and neuroscience-and anyone fascinated by the puzzle of repetition in music.

     

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    Content information
    04
  10. On repeat
    how music plays the mind
    Published: 2013
    Publisher:  Oxford University Press, New York, NY

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199357870; 0199990824; 0199990840; 9780199357871; 9780199990825; 9780199990849
    Subjects: MUSIC / Instruction & Study / Theory; Cognition; Music / Psychological aspects; Musical perception; Repetition in music; Musik; Psychologie; Repetition in music; Music; Musical perception; Cognition; Musikpsychologie; Kognition; Wiederholung <Motiv>; Musik; Musikwahrnehmung; Wiederholung
    Scope: 1 online resource (pages)
    Notes:

    Description based on print version record

    The puzzle of musical repetition -- From acoustic to perceived repetition -- Attention, temporality, and music that repeats Itself -- Earworms, technology, and the verbatim -- Relistenings -- In performance -- Overt participation, implied participation -- Repetition, music, and mind

    'On Repeat' offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behaviour as listeners, and considers related implications for repetition in language learning, and communication