Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 6 of 6.

  1. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 947427
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HN 1290 B643
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2015 A 5468
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199844715
    RVK Categories: HM 1191 ; HU 1769 ; HU 1745
    Series: Modernist literature and culture ; 24
    Subjects: American poetry; English poetry; Modernism (Literature); Poetry; Epic poetry, American; Epic poetry, English; Poetry, Modern; Poetics
    Scope: ix, 367 pages, 25 cm
    Notes:

    Includes bibliographical references (pages 335-355) and index

    Machine generated contents note:Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index.
  2. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford University Press, New York

    'Epic Negation' examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's 'poem including history' to conceive a negated mode of epic, predicated on the encryption of... more

    Access:

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

     

    'Epic Negation' examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's 'poem including history' to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199844715; 9780190231590 (Sekundärausgabe)
    Other identifier:
    RVK Categories: HU 1760
    Series: Modernist literature & culture
    Subjects: Englisch; Lyrik; Moderne; Dialektik <Motiv>
    Other subjects: H. D. (1886-1961); Eliot, T. S. (1888-1965): The waste land; MacNeice, Louis (1907-1963); Auden, Wystan H. (1907-1973)
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    Online-Ausg.:
  3. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford Univ. Press, Oxford

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    /HU 1760 B643
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199844715
    RVK Categories: HU 1760
    Series: Modernist literature & culture
    Subjects: Englisch; Lyrik; Moderne; Dialektik <Motiv>
    Other subjects: H. D. (1886-1961); Eliot, T. S. (1888-1965): The waste land; MacNeice, Louis (1907-1963); Auden, Wystan H. (1907-1973)
    Scope: IX, 367 S.
  4. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199844715
    RVK Categories: HM 1191 ; HU 1769 ; HU 1745
    Series: Modernist literature and culture ; 24
    Subjects: American poetry; English poetry; Modernism (Literature); Poetry; Epic poetry, American; Epic poetry, English; Poetry, Modern; Poetics
    Scope: ix, 367 pages, 25 cm
    Notes:

    Includes bibliographical references (pages 335-355) and index

    Machine generated contents note:Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index.
  5. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 947427
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HN 1290 B643
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2018/2352
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2015 A 5468
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HU 1745 B643
    Inter-library loan:
    No inter-library loan

     

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199844722; 9780190231590; 9780199844715
    RVK Categories: HU 1745 ; HU 1769 ; HM 1191
    Series: Modernist literature and culture ; 24
    Subjects: American poetry; English poetry; Modernism (Literature); Poetry; Epic poetry, American; Epic poetry, English; Poetry, Modern; Poetics
    Scope: IX, 367 S., 25 cm
    Notes:

    Includes bibliographical references (pages 335-355) and index

    Machine generated contents note:Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index.
  6. Epic negation
    the dialectical poetics of late modernism
    Author: Blanton, C. D.
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199844722; 9780190231590; 9780199844715
    RVK Categories: HU 1745 ; HU 1769 ; HM 1191
    Series: Modernist literature and culture ; 24
    Subjects: American poetry; English poetry; Modernism (Literature); Poetry; Epic poetry, American; Epic poetry, English; Poetry, Modern; Poetics
    Scope: IX, 367 S., 25 cm
    Notes:

    Includes bibliographical references (pages 335-355) and index

    Machine generated contents note:Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index.