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  1. Second Skin
    Josephine Baker & the Modern Surface
    Published: 2010
    Publisher:  Oxford University Press, Cary ; ProQuest, Ann Arbor, Michigan

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the... more

    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, "pure surface" that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a central artist whose work engages with and impacts various modes of modernist display such as film, photography, art, and even the modern house.

     

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    Source: Union catalogues
    Contributor: Baker, Josephine
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199741427
    RVK Categories: AP 64200 ; CC 6900 ; LH 67717 ; MS 8000
    Subjects: Ästhetik; Moderne; Architektur
    Other subjects: Baker, Josephine (1906-1975)
    Scope: 1 Online-Ressource (169 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  2. Second skin
    Josephine Baker & the modern surface
    Published: 2010
    Publisher:  Oxford University Press, Oxford [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, "pure surface" that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Baker, Josephine
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199741427; 0199741425
    RVK Categories: AP 64200 ; CC 6900 ; LH 67717 ; MS 8000
    Subjects: Ästhetik; Moderne; Architektur
    Other subjects: Baker, Josephine (1906-1975)
    Scope: 1 Online-Ressource (xi, 234 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 211-221) and index

  3. Second skin
    Josephine Baker & the modern surface
    Published: 2010
    Publisher:  Oxford University Press, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195387058; 0199741425; 9780195387056; 9780199741427
    Subjects: 1906-1975; 20th century; Arts and society; Arts, Modern; Baker, Josephine; Criticism and interpretation; History; Fine Arts; ART / Reference; ART / Performance; Arts and society; Arts, Modern; Modernism (Art); Surfaces (Philosophy); Geschichte; Modernism (Art); Surfaces (Philosophy); Arts, Modern; Arts and society; Architektur; Moderne; Ästhetik
    Other subjects: Baker, Josephine / 1906-1975; Baker, Josephine (1906-1975); Baker, Josephine (1906-1975)
    Scope: 1 Online-Ressource (xi, 234 p.)
    Notes:

    Includes bibliographical references (p. [211]-221) and index

    Her own skin -- In the museum -- Skins, tattoos, and the lure of the surface -- What bananas say -- Housing Baker, Dressing Loos -- Radiant bodies, dark cities -- The woman with the golden skin -- All that glitters is not gold (or, dirty professors) -- Ethical looking -- Back to the museum

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, "pure surface" that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a

  4. Second Skin
    Josephine Baker and the Modern Surface
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Intro -- Contents -- 1... more

    Access:
    Aggregator (lizenzpflichtig)
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    No inter-library loan

     

    Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Intro -- Contents -- 1 Her Own Skin -- 2 In the Museum -- 3 Skins, Tattoos, and the Lure of the Surface -- 4 What Bananas Say -- 5 Housing Baker, Dressing Loos -- 6 Radiant Bodies, Dark Cities -- 7 The Woman with the Golden Skin -- 8 All That Glitters Is Not Gold (or, Dirty Professors) -- 9 Ethical Looking -- 10 Back to the Museum -- List of Illustrations -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199741427
    Subjects: Baker, Josephine, -- 1906-1975 -- Criticism and interpretation; Arts and society -- History -- 20th century; Arts, Modern -- 20th century; Modernism (Art); Surfaces (Philosophy); Electronic books
    Scope: 1 Online-Ressource (249 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources