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  1. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations,... more

     

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852605
    RVK Categories: EC 2440
    Edition: First edition
    Subjects: Barnes, Djuna; Jones, David Michael; Prince, Frank T.; Hughes, Ted; Baskin, Leonard; Riley, Denise; Muldoon, Paul; Literatur; Kunst; ; Englisch; Lyrik; Literarisches Leben; Geschichte 1900-2020;
    Other subjects: English poetry / 20th century / History and criticism
    Scope: x, 320 Seiten, Illustrationen, 24 cm
    Notes:

    Enthält Literaturverzeichnis Seite [273]-294

  2. Poetry, publishing and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    HO 11600 pol 2020
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852605
    Scope: x, 320 Seiten, Illustrationen
  3. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations,... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198852605
    Edition: First edition
    Subjects: Kunst; Literatur
    Other subjects: Riley, Denise (1948-); Prince, Frank T. (1912-2003); Hughes, Ted (1930-1998); Muldoon, Paul (1951-); Baskin, Leonard (1922-2000); Jones, David (1895-1974); Barnes, Djuna (1892-1982); English poetry / 20th century / History and criticism
    Scope: x, 320 Seiten, 18 Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

  4. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    Universitäts- und Landesbibliothek Bonn
    2020/2276
    Loan of volumes, no copies
    Universitäts- und Landesbibliothek Düsseldorf
    angg780.p772
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198852605
    Edition: First edition
    Subjects: English poetry; English poetry; Art and literature; Art and literature; Literatur; Englisch; Kunst
    Scope: x, 320 Seiten, Illustrationen (schwarz-weiß), 24 cm
  5. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020; © 2020
    Publisher:  Oxford University Press, Oxford, United Kingdom

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations,... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852605
    Edition: First edition
    Subjects: English poetry
    Scope: x, 320 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

  6. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852605
    Edition: First edition
    Subjects: English poetry; English poetry; Art and literature; Art and literature
    Scope: x, 320 Seiten, Illustrationen (schwarz-weiß), 24 cm
  7. Poetry, publishing, and visual culture from late modernism to the twenty-first century
    fugitive pieces
    Published: 2020; © 2020
    Publisher:  Oxford University Press, Oxford, United Kingdom

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations,... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2020:3443:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 95529
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 6788
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jc VII 554 w
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2020 A 10812
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    302804 - A
    Unlimited inter-library loan, copies and loan

     

    This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852605
    Edition: First edition
    Subjects: English poetry
    Scope: x, 320 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index