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  1. Pindar's eyes
    visual and material culture in epinician poetry
    Author: Fearn, David
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, Oxford

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 6561
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    KPH:EP:6000:h:F288:2017
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bereich Klassisches Altertum
    No inter-library loan

     

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers."--Dust jacket

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746379
    RVK Categories: FE 1751 ; NH 2763 ; NH 5850 ; NH 6880 ; FH 22180
    Edition: First edition
    Subjects: Lyric poetry; Material culture in literature; Greek poetry
    Scope: X, 318 Seiten
    Notes:

    Literaturverzeichnis: Seite 275-301

    Hier auch später erschienene, unveränderte Nachdrucke

  2. Pindar's eyes
    visual and material culture in epinician poetry
    Author: Fearn, David
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, Oxford

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers."--Dust jacket

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746379
    RVK Categories: FE 1751 ; NH 2763 ; NH 5850 ; NH 6880 ; FH 22180
    Edition: First edition
    Subjects: Lyric poetry; Material culture in literature; Greek poetry
    Scope: X, 318 Seiten
    Notes:

    Literaturverzeichnis: Seite 275-301

    Hier auch später erschienene, unveränderte Nachdrucke

  3. Pindar's eyes
    visual and material culture in Epinician poetry
    Author: Fearn, David
    Published: 2017; © 2017
    Publisher:  Oxford University Press, Oxford

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers."--Dust jacket

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746379
    RVK Categories: FH 22180 ; NH 2763 ; NH 5850 ; NH 6880 ; FE 1751
    Edition: First edition
    Subjects: Lyric poetry; Material culture in literature; Greek poetry
    Scope: x, 318 Seiten
    Notes:

    Literaturverzeichnis: Seite 275-301

    Hier auch später erschienene, unveränderte Nachdrucke

  4. Pindar's eyes
    visual and material culture in Epinician poetry
    Author: Fearn, David
    Published: 2017; © 2017
    Publisher:  Oxford University Press, Oxford

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 6561
    Unlimited inter-library loan, copies and loan
    Universität Freiburg, Seminar für Griechische und Lateinische Philologie, Abteilung für Griechische Philologie und Abteilung für Lateinische Philologie der Antike und der Neuzeit, Bibliothek
    Frei 75: G Pin 2290
    No loan of volumes, only paper copies will be sent
    Bereichsbibliothek Altertumswissenschaften, Abteilung Klassische Philologie
    Cb 75/265
    No loan of volumes, only paper copies will be sent
    Thüringer Universitäts- und Landesbibliothek
    KPH:EP:6000:h:F288:2017
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bereich Klassisches Altertum
    No inter-library loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan

     

    "Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers."--Dust jacket

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198746379
    RVK Categories: FH 22180 ; NH 2763 ; NH 5850 ; NH 6880 ; FE 1751
    Edition: First edition
    Subjects: Lyric poetry; Material culture in literature; Greek poetry
    Scope: x, 318 Seiten
    Notes:

    Literaturverzeichnis: Seite 275-301

    Hier auch später erschienene, unveränderte Nachdrucke