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  1. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    JJB7569
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    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
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    HI 1161 M911
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    Universitäts- und Landesbibliothek Düsseldorf
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    angg610.m911
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    Universitätsbibliothek Duisburg-Essen
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    DVUT1216
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    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198712947; 9780198807193
    Edition: 1. ed.
    Subjects: English poetry; English poetry; Touch in literature; Literatur; Tastsinn <Motiv>; Tastsinn; Englisch
    Scope: X, 389 S., Ill., 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  2. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford University Press, Oxford

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    90.440.21
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198712947
    Edition: 1. ed.
    Subjects: Literatur; Kunst; Tastsinn <Motiv>; Körperkontakt
    Scope: 389 S.
  3. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    'Feeling Pleasures' argues that the sense of touch assumed a new and unique importance in the sixteenth and seventeenth centuries and that the work of major poets of the period, including Edmund Spenser, William Shakespeare, and John Milton, should... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    'Feeling Pleasures' argues that the sense of touch assumed a new and unique importance in the sixteenth and seventeenth centuries and that the work of major poets of the period, including Edmund Spenser, William Shakespeare, and John Milton, should be read alongside these developing ideas.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780198712947; 9780191781377 (Sekundärausgabe)
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    Subjects: Literatur; Kunst; Tastsinn <Motiv>; Körperkontakt
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Includes bibliographical references and index

    Online-Ausg.:
  4. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Duisburg-Essen
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198712947; 9780198807193
    Edition: 1. ed.
    Subjects: English poetry; English poetry; Touch in literature
    Scope: X, 389 S. : Ill., 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  5. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780198712947; 0198712944
    RVK Categories: HI 1161
    Edition: 1. ed.
    Subjects: Englisch; Literatur; Tastsinn; Tastsinn <Motiv>
    Scope: X, 389 S., Ill.
  6. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198712947; 0198712944
    RVK Categories: HI 1161
    Edition: 1. ed.
    Subjects: Englisch; Literatur; Tastsinn; Tastsinn <Motiv>
    Scope: X, 389 S., Ill.
  7. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2017
    Publisher:  Oxford University Press, Oxford

    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    DVU 6250-606 3
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198807193; 9780198712947
    Edition: First published in paperback
    Scope: x, 389 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 337-376
  8. Feeling pleasures
    the sense of touch in Renaissance England
    Author: Moshenska, Joe
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    820 M9115f
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. Feeling Pleasures argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period--surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine--to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198712947
    Other identifier:
    9780198712947
    RVK Categories: HI 1161 ; HI 1113 ; NN 1365
    Edition: 1. ed.
    Subjects: English literature; English poetry; English poetry; Touch in literature; English poetry; English poetry; Touch in literature
    Scope: X, 389 S., Ill., Notenbeisp., 24 cm
    Notes:

    Includes bibliogr. references and index

    Literaturverz. S. [337] - 376

    Hier auch später erschienene, unveränderte Nachdrucke