Publisher:
Oxford University Press, Oxford
;
ProQuest, Ann Arbor, Michigan
This book takes an interdiscplinary approach to the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our...
more
Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
Inter-library loan:
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This book takes an interdiscplinary approach to the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Publisher:
Oxford University Press USA - OSO, Oxford
This book takes an interdiscplinary approach to the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our...
more
This book takes an interdiscplinary approach to the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history. Cover -- The Places of Early Modern Criticism -- Copyright -- Preface -- Contents -- List of Illustrations -- List of Contributors -- Introduction: Placing Early Modern Criticism -- Critical Origins -- The Development of Early Modern Criticism -- Critical Places -- Criticism's Textual Places -- Chapter 1: 'The Restful Place': Criticism In Early Tudor Poetry -- A Spatial Poetics -- Imitatio as Commentary -- Chapter 2: The Corrector as Critic: Jacques Peletier Du Mans -- Criticism and the Culture of Correction -- Horace under the Sign of Correction -- Orthographic Reform and the Art of Poetry -- Chapter 3: Popular Rewritings of the Orlando Furioso as Forms of Criticism -- Stanze Trasmutate de L'Ariosto -- Due Alfabetti -- Historia del re di Pavia -- Conclusion -- Chapter 4: 'Ce rond de sciences . . . nommé Encyclopédie': The Circle of Learning in Renaissance Poetics -- 'Sovereign in Knowledge of All Things': The Poet as Locus of Inspired Learning -- 'A Simple Foray through the Arts': The Poet as Dabbler in Disciplines -- Chapter 5: Grammar, Prosody, and the Place of Accent in Elizabethan Criticism -- Grammar, Prosody, and Accent -- An English Accent -- After (and before?) Gascoigne -- Conclusion: Grammar's Critical Places -- Chapter 6: The Play in the Mind's Eye -- Artificial Imagining -- Imagined Time and Space and the Topics of Circumstance -- Circumstance, 'Evidency', and Fantasy -- Chapter 7: Places of Form in Early Modern Poetics: Art, Mind, and Voice -- Moulds of Art: Forms in the Mind -- Delivering Forth: Form, Persona, and Voice -- Chapter 8: Writing in the New World: Spanish American Poetics and the Literary Canon -- Poetry, Miscellany, and the Mestizo Mind -- A Place of Their Own: American Poetics in New Spain -- Illustrious Men, Nameless Women: Literary Canons in Peru.
