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  1. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: 2017
    Publisher:  Oxford University Press, New York, NY

    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners. more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202
    Other identifier:
    RVK Categories: LR 53509 ; AP 51450
    Subjects: Filmmusik; Musikhören <Motiv>
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2016

    Includes bibliographical references, filmography and index
  2. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: [2016]; © 2016
    Publisher:  Oxford University Press, New York, NY

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence. In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather than construct the listener as a reverential concertgoer, music analyst, or gallery dweller, this book instead shows how films offer a new way of thinking about listening as distributed experience, an activity made public and shareable across vast cultural spaces rather than an insular motion. It shows how cinema functions as not only a reservoir of established modes of listening, but also an agent in the development of new listening practices. As Biancorosso argues, many films have perpetuated a long-existing paradox of music as a means of silencing. Consider an aggressive score overlaying battle scenes or a romantic scene conveying unspoken intimacy. In the place of conversational exchange exists a veil of sound in the form of music, and Situated Listening explains why this function influences both the course of interpretation and empathy experienced by film spectators. By focusing on cinematic, physical, and emotional scenery surrounding a character, viewers can recognize aspects of their own lives, developing a deeper empathy for each fictional character through real and shared listening practices. - Giorgio Biancorosso is Associate Professor in Music, The University of Hong Kong. His work on the history and theory of listening practices reflects a long-standing interest in musical aesthetics, film music, and the history of global cinema. Biancorosso is also active in Hong Kong as a programmer and curator. (Klappentext)

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202
    Other identifier:
    RVK Categories: AP 51450 ; LR 53509
    Subjects: Motion picture music; Musikhören <Motiv>; Filmmusik
    Scope: 1 Online-Ressource (xi, 246 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: 2017
    Publisher:  Oxford University Press, New York, NY

    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners. more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    LR
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Hochschule für Grafik und Buchkunst, Bibliothek
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Westsächsische Hochschule Zwickau, Bibliothek
    Signature:
    E-Book Oxford
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    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202
    Other identifier:
    RVK Categories: AP 51450 ; LR 53509
    Subjects: Motion picture music
    Scope: 1 online resource, illustrations (black and white)
    Notes:

    Previously issued in print: 2016. - Includes bibliographical references, filmography and index. - Description based on online resource; title from home page (viewed on February 9, 2017)
  4. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: March 2017
    Publisher:  Oxford University Press, New York, NY

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of... more

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence. In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather than construct the listener as a reverential concertgoer, music analyst, or gallery dweller, this book instead shows how films offer a new way of thinking about listening as distributed experience, an activity made public and shareable across vast cultural spaces rather than an insular motion. It shows how cinema functions as not only a reservoir of established modes of listening, but also an agent in the development of new listening practices. As Biancorosso argues, many films have perpetuated a long-existing paradox of music as a means of silencing. Consider an aggressive score overlaying battle scenes or a romantic scene conveying unspoken intimacy. In the place of conversational exchange exists a veil of sound in the form of music, and Situated Listening explains why this function influences both the course of interpretation and empathy experienced by film spectators. By focusing on cinematic, physical, and emotional scenery surrounding a character, viewers can recognize aspects of their own lives, developing a deeper empathy for each fictional character through real and shared listening practices. - Giorgio Biancorosso is Associate Professor in Music, The University of Hong Kong. His work on the history and theory of listening practices reflects a long-standing interest in musical aesthetics, film music, and the history of global cinema. Biancorosso is also active in Hong Kong as a programmer and++

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202; 9780190493196
    Other identifier:
    RVK Categories: AP 51450 ; LR 53509
    Subjects: Motion picture music; Musikhören <Motiv>; Filmmusik
    Scope: 1 Online-Ressource (xi, 246 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  5. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: 2017
    Publisher:  Oxford University Press, New York, NY

    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners. more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202
    Other identifier:
    RVK Categories: AP 51450 ; LR 53509
    Subjects: Motion picture music
    Scope: 1 online resource, illustrations (black and white)
    Notes:

    Previously issued in print: 2016. - Includes bibliographical references, filmography and index. - Description based on online resource; title from home page (viewed on February 9, 2017)
  6. Situated listening
    the sound of absorption in classical cinema
    Author: Biancorosso, Giorgio
    Published: March 2017
    Publisher:  Oxford University Press, New York, NY

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of... more

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    No inter-library loan

     

    Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence. In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather than construct the listener as a reverential concertgoer, music analyst, or gallery dweller, this book instead shows how films offer a new way of thinking about listening as distributed experience, an activity made public and shareable across vast cultural spaces rather than an insular motion. It shows how cinema functions as not only a reservoir of established modes of listening, but also an agent in the development of new listening practices. As Biancorosso argues, many films have perpetuated a long-existing paradox of music as a means of silencing. Consider an aggressive score overlaying battle scenes or a romantic scene conveying unspoken intimacy. In the place of conversational exchange exists a veil of sound in the form of music, and Situated Listening explains why this function influences both the course of interpretation and empathy experienced by film spectators. By focusing on cinematic, physical, and emotional scenery surrounding a character, viewers can recognize aspects of their own lives, developing a deeper empathy for each fictional character through real and shared listening practices. - Giorgio Biancorosso is Associate Professor in Music, The University of Hong Kong. His work on the history and theory of listening practices reflects a long-standing interest in musical aesthetics, film music, and the history of global cinema. Biancorosso is also active in Hong Kong as a programmer and++

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190493202; 9780190493196
    Other identifier:
    RVK Categories: LR 53509 ; AP 51450
    Subjects: Motion picture music
    Scope: 1 Online-Ressource (xi, 246 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index