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  1. Writing and filming the painting
    ekphrasis in liturature and film
    Published: ©2008
    Publisher:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435695305; 9042024577; 9401206279; 9781435695306; 9789042024571; 9789401206273
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Literatur; Film; Ästhetik; Malerei; Motiv (Film); Motiv (Literatur); Malerei (Motiv); Literatur; Film; Vergleichende Literaturwissenschaft; Malerei; Literatur; Ekphrasis; Art in literature; Art in motion pictures; Painting and motion pictures; Film; Literatur; Ekphrasis
    Other subjects: Goya, Francisco / 1746-1828; Rembrandt Harmenszoon van Rijn / 1606-1669; Vermeer, Johannes / 1632-1675; Goya, Francisco (1746-1828); Rembrandt Harmenszoon van Rijn (1606-1669); Vermeer, Johannes (1632-1675)
    Scope: 1 Online-Ressource (243 pages)
    Notes:

    Works of art by Goya, Rembrandt and Vermeer are analyzed. - Originally presented as the author's thesis, University of Texas in Austin

    Includes bibliographical references (pages 221-234) and Filmography (p. 235)

    Toward a definition of ekphrasis in literature and film -- Methodology -- Goya's Sleep of reason in poetry, drama and film : dramatizing the artist's battle with his creatures -- Goya's Sleep of reason in Lion Feuchtwanger's novel and Konrad Wolf's film adaptation : private or social demons? -- From screenplay to film : Rembrandt's self-portraits and social identity construction through ekphrasis -- Vermeer's women in film and fiction : ekphrasis and gendered structures of vision -- Conclusion : the cerebral and the affective function of ekphrasis

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge

  2. Writing and filming the painting
    ekphrasis in literature and film
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042024577; 9789042024571
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Ekphrasis; Film; Literatur
    Other subjects: Rembrandt Harmenszoon van Rijn (1606-1669); Goya, Francisco (1746-1828); Vermeer, Johannes (1632-1675)
    Scope: 243 p.
    Notes:

    Originally written as author's dissertation, University of Texas in Austin. - Works of art by Goya, Rembrandt and Vermeer are analyzed

    Filmography (p. [235])

    Includes bibliographical references (p. [221]-234)

  3. Writing and filming the painting
    ekphrasis in literature and film
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042024577; 9789042024571
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Ekphrasis; Painting and motion pictures; Art in motion pictures; Art in literature
    Other subjects: Vermeer, Johannes (1632-1675); Rembrandt Harmenszoon van Rijn (1606-1669); Goya, Francisco (1746-1828)
    Scope: Online-Ressource (243 p), ill. (some col.)
    Notes:

    Filmography (p. [235]) -- Includes bibliographical references (p. [221]-234)

    Works of art by Goya, Rembrandt and Vermeer are analyzed

    Originally written as author's dissertation, University of Texas in Austin

    Electronic reproduction; Available via World Wide Web

    Table of Contents; Chapter 1 Toward a Definition of Ekphrasis in Literature and Film; Chapter 2 Methodology; Chapter 3 Goya's Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist's Battle with his Creatures; Chapter 4 Goya's Sleep of Reason in Lion Feuchtwanger's Novel and Konrad Wolf's Film Adaptation: Private or Social Demons?; Chapter 5 From Screenplay to Film: Rembrandt's Self-Portraits and Social Identity Construction through Ekphrasis; Chapter 6 Vermeer's Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision

    Chapter 7 Conclusion: The Cerebral and the Affective Function of EkphrasisWorks Cited; Filmography; List of Illustrations/Image Credits