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Frontmatter --Acknowledgements --Table of Contents --Introduction: Dark Nights, Bright Lights /Degenring, Folkert ; Bach, Susanne --City Nights, City Lights in London Literature of the 1890s /Goetsch, Paul --"The Hours of the Day and the Night Are Ours Equally": Dracula and the Lighting Technologies of Victorian London /Peker, Maria --"Light of Life": Gender, Place, and Knowledge in H.G. Wells' Ann Veronica /Mildorf, Jarmila --The Literary Realisation of Electric Light in the Early 20 /Leahy, Richard --Public and Private Light in Virginia Woolf's Night and Day /Ludtke, Laura E. --Serenading the Night in Benjamin Britten's Opus 31 /Gillett, Robert ; Wagner, Isabel --Darkness Visible: Night, Light, and Liminality in Arthur Conan Doyle's The Hound of the Baskervilles and Jed Rubenfeld's The Death Instinct /Heiler, Lars --The Blackout of Community: Charlotte Jones' The Dark /Butter, Stella --Genre, Gender, Mythology: Functions of Light and Darkness in Terry Pratchett's Feet of Clay and Thud! /Sezi, Murat --Twenty Thousand Lights Hanging from the Ceiling: Ecocatastrophe in Karen Thompson Walker's The Age of Miracles /Bach, Susanne --On Behalf of the Dark? Functionalisations of Light Pollution in Fiction /Degenring, Folkert --Index --About the Contributors.
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