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Displaying results 1 to 4 of 4.

  1. Melville's intervisionary network
    Balzac, Hawthorne, and realism in the American Renaissance
    Author: Haydock, John
    Published: 2016
    Publisher:  Clemson University Press, Clemson, South Carolina

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 12178
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 398
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honoré de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melville's creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1942954239; 9781942954231
    RVK Categories: HT 6015
    Edition: First edition
    Subjects: Realism in literature; American literature
    Other subjects: Melville, Herman (1819-1891); Balzac, Honoré de (1799-1850)
    Scope: viii, 333 pages, 24 cm
    Notes:

    Includes bibliographical references and index
  2. Melville's intervisionary network
    Balzac, Hawthorne, and realism in the American Renaissance
    Author: Haydock, John
    Published: 2016
    Publisher:  Clemson University Press, Clemson, South Carolina

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honoré de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melville's creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1942954239; 9781942954231
    RVK Categories: HT 6015
    Edition: First edition
    Subjects: Realism in literature; American literature
    Other subjects: Melville, Herman (1819-1891); Balzac, Honoré de (1799-1850)
    Scope: viii, 333 pages, 24 cm
    Notes:

    Includes bibliographical references and index
  3. Melville's intervisionary network
    Balzac, Hawthorne, and realism in the American Renaissance
    Author: Haydock, John
    Published: 2016
    Publisher:  Clemson University Press, Clemson, South Carolina

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 12178
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 398
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 4415
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honoré de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melville's creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1942954239; 9781942954231
    RVK Categories: HT 6015
    Edition: First edition
    Subjects: Realism in literature; American literature; Realism in literature; American literature
    Other subjects: Melville, Herman 1819-1891; Balzac, Honoré de 1799-1850; Melville, Herman (1819-1891); Balzac, Honoré de (1799-1850)
    Scope: viii, 333 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  4. Melville's intervisionary network
    Balzac, Hawthorne, and realism in the American Renaissance
    Author: Haydock, John
    Published: 2016
    Publisher:  Clemson University Press, Clemson, South Carolina

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honoré de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melville's creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1942954239; 9781942954231
    RVK Categories: HT 6015
    Edition: First edition
    Subjects: Realism in literature; American literature; Realism in literature; American literature
    Other subjects: Melville, Herman 1819-1891; Balzac, Honoré de 1799-1850; Melville, Herman (1819-1891); Balzac, Honoré de (1799-1850)
    Scope: viii, 333 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index