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Displaying results 1 to 6 of 6.

  1. Pretexts for writing
    German Romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 81449
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2019/2374
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    Unlimited inter-library loan, copies and loan

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    Universitätsbibliothek Heidelberg
    Signature:
    2019 A 8757
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    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    GER:DM:2000:Wil::2019
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Unlimited inter-library loan, copies and loan

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    Deutsches Literaturarchiv Marbach, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    Saarländische Universitäts- und Landesbibliothek
    Signature:
    2019-1551
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    Württembergische Landesbibliothek
    Signature:
    69/6860
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    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    60 A 281
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    GK 2111 W727
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    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    69.1281
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    Unlimited inter-library loan, copies and loan

     

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"-- "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--

     
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  2. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... more

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
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  3. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... more

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781684480531; 1684480531; 9781684480524; 1684480523
    DDC Categories: 830; 100
    Series: New studies in the age of Goethe
    Subjects: Goethe, Johann Wolfgang <<von>>; Jean Paul; Hegel, Georg Wilhelm Friedrich; Vorwort;
    Scope: xi, 261 Seiten, 24 cm
    Notes:

    Enthält Literaturverzeichnis auf Seite 233-253
  4. Pretexts for writing
    German Romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]
    Publisher:  Bucknell University Press, Lewisburg

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in... more

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"-- "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--

     
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  5. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]; © 2019
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.077.75
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781684480524; 1684480523; 9781684480531; 1684480531
    DDC Categories: 830; 100
    Series: New studies in the age of Goethe
    Subjects: Vorwort
    Other subjects: Jean Paul (1763-1825); Goethe, Johann Wolfgang von (1749-1832); Hegel, Georg Wilhelm Friedrich (1770-1831)
    Scope: xi, 261 Seiten, 24 cm
  6. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Author: Williams, Seán M.
    Published: [2019]; © 2019
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.077.75
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB451477790

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781684480524; 1684480523; 9781684480531; 1684480531
    DDC Categories: 830; 100
    Series: New studies in the age of Goethe
    Subjects: Vorwort
    Other subjects: Jean Paul (1763-1825); Goethe, Johann Wolfgang von (1749-1832); Hegel, Georg Wilhelm Friedrich (1770-1831)
    Scope: xi, 261 Seiten, 24 cm