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  1. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474430295; 9781474430296
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: ix, 221 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index
  2. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Author: Marston, Kendra
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    E
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 74775
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474430295; 9781474430296
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: ix, 221 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index