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  1. The visual culture of violence after the French Revolution
    Author: Graybill, Lela
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, London

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472450197; 1472450191
    Other identifier:
    9781472450197
    RVK Categories: LH 84390
    Edition: First published
    Series: An Ashgate book
    Subjects: Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society
    Scope: xiv, 197 Seiten, Illustrationen, 24 cm
    Notes:

    An Ashgate book

    Literaturverzeichnis: Seite [177]-191

    The guillotine in perspectiveThe limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors.
  2. The visual culture of violence after the French Revolution
    Author: Graybill, Lela
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, London

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:4717:
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    640784
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2016/4795
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2016 C 3045
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität des Saarlandes, Fachrichtung Geschichte, Bibliothek
    Signature:
    N4 553/3
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    267008 - A
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The guillotine in perspective -- The limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472450197; 1472450191
    Other identifier:
    9781472450197
    RVK Categories: LH 84390
    Edition: First published
    Series: An Ashgate book
    Subjects: Violence in art; Violence in popular culture; Violence in popular culture; Arts and society; Arts and society
    Scope: xiv, 197 Seiten, Illustrationen, 24 cm
    Notes:

    An Ashgate book

    Literaturverzeichnis: Seite [177]-191

    The guillotine in perspectiveThe limit case : Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800 -- Technologies of witness : violent spectacle and the Fualdès affair -- A proximate violence : Madame Tussaud's Chamber of horrors.