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  1. Criminal Papers
    Reading Crime in the French Nineteenth Century
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 144383789X; 1443838489; 9781443837897; 9781443838481
    Subjects: LITERARY CRITICISM / European / French; Crime in literature; French literature; French literature; Crime in literature; Kriminalliteratur; Französisch
    Scope: 1 Online-Ressource (257 p.)
    Notes:

    Description based upon print version of record

    Throughout the nineteenth century, shady characters appear in French writings from one end of the literary spectrum to another. While Paris gleams through the night, the City of Lights has a darker underside Other its own infrastructure, its own rules and traditions - and its own literature. In the shadows of the capital, thieves, murderers, addicts, shoplifters, seducers, and smugglers carry out their nefarious acts, pursued by detectives (both police and private) who seek to apprehend and an..

    Includes bibliographical references and index

    Introduction : reading crime, reading criminal / Rosemary A. Peters -- The protean nature of crime and punishment in nineteenth-century Paris / Lauren Pendas -- Manhunt : officer v. criminal in Le Père Goriot (1835) and Les mémoires d'un gendarme (1867) / Megan E. Lawrence -- "L'habit (ne) fait (pas) le moine" : the uses of physiognomy in reading (for) criminals / Adam M. Babin -- "Gathered in illustrious assembly" : mesmeric agents, villains, and their "magnetic networks" in Alexandre Dumas's Le collier de la reine / Helana Brigman -- Of fairy tales and finances : decriminalizing the class-climb in three nineteenth-century variations on the Cinderella story / Tara Smithson -- "Ce(lle)-ci est à moi" : self-making through women and property in Le Père Goriot, La bête humaine, Wuthering Heights, and La migration des coeurs / Jessica Hutchins -- Criminal spaces in Notre-Dame de Paris : Hugo's portrayal of underworlds / Jessica Bombard -- Industrial visions : seeing and perception in Balzac and Zola / Carrie O'Connor -- Iron and glass : imprisonment in Emile Zola's Au bonheur des dames / Andrew Hill -- The criminal letter : reading culpability in La bête humaine and Ferragus / Mary Cashell -- Purloined letters : literary property and dangerous documents / Rosemary A. Peters -- Narrative identity and criminal ideology in A scandal in Paris / Kristopher Mecholsky

  2. Criminal papers
    reading crime in the french nineteenth century
    Published: 2012
    Publisher:  Cambridge Scholars, [Middlesex]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 874043
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 144383789X; 9781443837897
    RVK Categories: IE 3232
    Subjects: French literature; Detective and mystery stories, French; Crime in literature
    Scope: XXV, 231 S.
    Notes:

    Introduction : reading crime, reading criminal / Rosemary A. PetersThe protean nature of crime and punishment in nineteenth-century Paris / Lauren Pendas -- Manhunt : officer v. criminal in Le Père Goriot (1835) and Les mémoires d'un gendarme (1867) / Megan E. Lawrence -- "L'habit (ne) fait (pas) le moine" : the uses of physiognomy in reading (for) criminals / Adam M. Babin -- "Gathered in illustrious assembly" : mesmeric agents, villains, and their "magnetic networks" in Alexandre Dumas's Le collier de la reine / Helana Brigman -- Of fairy tales and finances : decriminalizing the class-climb in three nineteenth-century variations on the Cinderella story / Tara Smithson -- "Ce(lle)-ci est à moi" : self-making through women and property in Le Père Goriot, La bête humaine, Wuthering Heights, and La migration des coeurs / Jessica Hutchins -- Criminal spaces in Notre-Dame de Paris : Hugo's portrayal of underworlds / Jessica Bombard -- Industrial visions : seeing and perception in Balzac and Zola / Carrie O'Connor -- Iron and glass : imprisonment in Emile Zola's Au bonheur des dames / Andrew Hill -- The criminal letter : reading culpability in La bête humaine and Ferragus / Mary Cashell -- Purloined letters : literary property and dangerous documents / Rosemary A. Peters -- Narrative identity and criminal ideology in A scandal in Paris / Kristopher Mecholsky.

    Rosemary A. Peters: Introduction : reading crime, reading criminal

    Lauren Pendas: The protean nature of crime and punishment in nineteenth-century Paris

    Megan E. Lawrence: Manhunt : officer v. criminal in Le Père Goriot (1835) and Les mémoires d'un gendarme (1867)

    Adam M. Babin: "L'habit (ne) fait (pas) le moine" : the uses of physiognomy in reading (for) criminals

    Helana Brigman: "Gathered in illustrious assembly" : mesmeric agents, villains, and their "magnetic networks" in Alexandre Dumas's Le collier de la reine

    Tara Smithson: Of fairy tales and finances : decriminalizing the class-climb in three nineteenth-century variations on the Cinderella story

    Jessica Hutchins: "Ce(lle)-ci est à moi" : self-making through women and property in Le Père Goriot, La bête humaine, Wuthering Heights, and La migration des coeurs

    Jessica Bombard: Criminal spaces in Notre-Dame de Paris : Hugo's portrayal of underworlds

    Carrie O'Connor: Industrial visions : seeing and perception in Balzac and Zola

    Andrew Hill: Iron and glass : imprisonment in Emile Zola's Au bonheur des dames

    Mary Cashell: The criminal letter : reading culpability in La bête humaine and Ferragus

    Rosemary A. Peters: Purloined letters : literary property and dangerous documents

    Kristopher Mecholsky.: Narrative identity and criminal ideology in A scandal in Paris