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  1. The "I" and the "eye"
    the verbal and the visual in post-renaissance Western aesthetics
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443829242; 1443830844; 9781443829243; 9781443830843
    Subjects: Kunst; Sprache; Visuelle Wahrnehmung; Ästhetik; PHILOSOPHY / Aesthetics; Aesthetics; Arts / Philosophy; Philosophie; Ästhetik; Aesthetics; Arts; Ästhetik; Visuelle Wahrnehmung; Kunst; Sprache
    Scope: 1 Online-Ressource (xxxii, 276 p.)
    Notes:

    Includes bibliographical references (p. [254]-268) and index

  2. The "I" and the "eye"
    the verbal and the visual in post-renaissance Western aesthetics
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle upon Tyne

    TABLE OF CONTENTS; LIST OF FIGURES; EXECUTIVE SUMMARY; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; EPILOGUE; NOTES; APPENDICES; BIBLIOGRAPHY; INDEX. The paradigmatic moment of the opposition between... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    TABLE OF CONTENTS; LIST OF FIGURES; EXECUTIVE SUMMARY; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; EPILOGUE; NOTES; APPENDICES; BIBLIOGRAPHY; INDEX. The paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessingâs treatise on the Laocoén sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins with Lessing; that goes through Pater; and then culminates in Greenberg. I delineate the opposition as a history of diffusions, displacements and idealist reparations of class division. From the vantage point of my argument, the reader can experience a watershed in a critical tradition that has emerged in Williams' The Long Revolution (1961), Culture (1963) and Keywords (1976); Thompson's Working Class (1963) and Customs (1993); Schweizer's Ut Pictura Poesis (1972); Berger's Theory (1984); Wellbery's Lessing's Laocoön (1984); Mitchell's Iconology (1986); Summers' Judgement of Sense (1987); Rancière's Nights of Labor (1989) and Politics (2007); Eagletonâs Ideology (1990); Jay's Downcast Eyes (1994); Kirby's Telling Flesh (1997); Barnard's Art (1998); Jameson's Postmodernism (1999); Edgar's Key Concepts (1999); Schoroederâs Visual Consumption (2002); Eldridge's Philosophy of Art (2003); Kelly's Iconoclasm (2003); Malshe's Aesthetics (2003); Hall's Subjectivity (2004); Stallabrass' Contemporary Art (2004); Heffernan's Museum (2004) and Cultivating Picturacy (2006); Szerszynski's Nature (2005); Cottington's Modern Art (2005); Day's Class (2007); Hawkes's Ideology (2007); Gillespie's Theological Origins (2008); and Crawford's Shop Class (2009)

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443830843; 1443830844
    Subjects: Arts; Aesthetics; Arts; Theory of art; Humanities; Social & cultural history; PHILOSOPHY ; Aesthetics; Aesthetics; Arts ; Philosophy; Kunst; Sprache; Visuelle Wahrnehmung; Ästhetik
    Scope: Online Ressource (xxxii, 276 p.), ill.
    Notes:

    Includes bibliographical references (p. [254]-268) and index. - Description based on print version record