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  1. Middleton and Rowley
    forms of collaboration in the Jacobean playhouse
    Author: Nicol, David
    Published: c2012
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442643706; 1442696745; 9781442643703; 9781442696747
    Subjects: Coauteurs / Histoire / 17e siècle; Théâtre anglais / 17e siècle / Histoire et critique; PERFORMING ARTS / Theater / History & Criticism; DRAMA / English, Irish, Scottish, Welsh; Authorship / Collaboration; English drama; Geschichte; Authorship; English drama; Theater; Kooperation
    Other subjects: Middleton, Thomas / m. 1627 / Oeuvres de collaboration; Rowley, William / 1585?-1642? / Oeuvres de collaboration; Middleton, Thomas / m. 1627 / Critique et interprétation; Rowley, William / 1585?-1642? / Critique et interprétation; Middleton, Thomas / -1627; Rowley, William / 1585?-1642?; Middleton, Thomas / -1627; Rowley, William / 1585?-1642?; Middleton, Thomas / m. 1627; Middleton, Thomas (-1627); Rowley, William (1585?-1642?); Middleton, Thomas (-1627); Rowley, William (1585?-1642?); Rowley, William (1585-1642); Middleton, Thomas (1580-1627)
    Scope: 1 Online-Ressource (xii, 216 p.)
    Notes:

    Paralleltitel: Middleton & Rowley

    Includes bibliographical references (p. [185]-204) and index

    Middleton and Rowley : writing about collaborative drama -- Collaborators and individual style : choice and religion in The changeling -- The actor as collaborator : Wit at several weapons and the incorporation of personae -- Collaborators and playing companies : class and genre in A fair quarrel -- A presence in the crowd : multiple authorship and the individual voice in The Spanish gypsy and The old law

    "Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole."--pub. desc

  2. Middleton and Rowley
    forms of collaboration in the Jacobean playhouse
    Published: c2012
    Publisher:  University of Toronto Press, Toronto

    "Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole."--pub. desc

     

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