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Displaying results 1 to 3 of 3.

  1. Pragmatic plagiarism
    authorship, profit, and power
    Author: Randall, Marilyn
    Published: c2001
    Publisher:  University of Toronto Press, Toronto, Ont.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802048145; 1442678739; 9780802048141; 9781442678736
    Series: University of Toronto romance series
    Subjects: Plagiat; Plagiaat; Plagiat / (Literar.); LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LITERARY CRITICISM / European / General; Plagiarism; Plagiarism; Geschichte; Geistiges Eigentum; Plagiat; Rezeption; Autor; Literatur
    Scope: 1 Online-Ressource (xviii, 321 p.)
    Notes:

    Includes bibliographical references (p. [299]-312) and index

    Introduction: What is plagiarism? -- pt. 1. Authoring plagiarism. What is an (original) author? ; Originating discourse: authority, authenticity, originality ; Owning discourse. -- pt. 2. Reading plagiarism. Reading the reader ; Reading the act. -- pt. 3. Power plagiarism. Profit plagiarism ; Imperial plagiarism ; Guerrilla plagiarism. -- Conclusion: Post-plagiarism

    "In this study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is often taken for, but a phenomenon governed by the norms and conventions of literary reception." "Randall turns her focus on the critical debates surrounding cases of perceived plagiarism. Her study ranges over centuries, charting the progress of plagiarism in the history of Western letters from its first appearance in Roman times to contemporary disputes about intellectual property. Randall considers the development of copyright law and the idea of authorship, presents a wide range of texts, and draws aptly on Foucault's notion of the discursive construction of authorship." "Just as Foucault studied insanity to find out what was meant by sanity, says Randall, so the study of plagiarism can reveal what was meant by the term 'literary' at various cultural moments. She shows that perceived instances of plagiarism are aspects of an ongoing power struggle in the literary field. And as she reveals, it is not the plagiarist but the accuser who is most concerned with achieving profit and power."--Jacket
  2. Pragmatic plagiarism
    authorship, profit, and power
    Published: c2001
    Publisher:  University of Toronto Press, Toronto, Ont

    "In this study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "In this study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is often taken for, but a phenomenon governed by the norms and conventions of literary reception." "Randall turns her focus on the critical debates surrounding cases of perceived plagiarism. Her study ranges over centuries, charting the progress of plagiarism in the history of Western letters from its first appearance in Roman times to contemporary disputes about intellectual property. Randall considers the development of copyright law and the idea of authorship, presents a wide range of texts, and draws aptly on Foucault's notion of the discursive construction of authorship." "Just as Foucault studied insanity to find out what was meant by sanity, says Randall, so the study of plagiarism can reveal what was meant by the term 'literary' at various cultural moments. She shows that perceived instances of plagiarism are aspects of an ongoing power struggle in the literary field. And as she reveals, it is not the plagiarist but the accuser who is most concerned with achieving profit and power."--Jacket

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442678736; 1442678739
    Series: University of Toronto romance series
    Subjects: Plagiat; Plagiarism; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; LITERARY CRITICISM ; European ; General; Plagiarism; Plagiaat; Plagiat ; (Literar.); Livres numériques
    Scope: Online Ressource (xviii, 321 p.)
    Notes:

    Includes bibliographical references (p. [299]-312) and index. - Description based on print version record
  3. Pragmatic plagiarism
    authorship, profit, and power
    Author: Randall, Marilyn
    Published: 2001
    Publisher:  University of Toronto Press, Toronto, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In this study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    "In this study, Marilyn Randall takes on the question of why some cases of literary repetition become great art, while others are relegated to the ignominy of plagiarism. Her discussion reveals that plagiarism is not the objective textual fact it is often taken for, but a phenomenon governed by the norms and conventions of literary reception." "Randall turns her focus on the critical debates surrounding cases of perceived plagiarism. Her study ranges over centuries, charting the progress of plagiarism in the history of Western letters from its first appearance in Roman times to contemporary disputes about intellectual property. Randall considers the development of copyright law and the idea of authorship, presents a wide range of texts, and draws aptly on Foucault's notion of the discursive construction of authorship." "Just as Foucault studied insanity to find out what was meant by sanity, says Randall, so the study of plagiarism can reveal what was meant by the term 'literary' at various cultural moments. She shows that perceived instances of plagiarism are aspects of an ongoing power struggle in the literary field. And as she reveals, it is not the plagiarist but the accuser who is most concerned with achieving profit and power."--Jacket.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442678736; 1442678739; 1282033646; 9781282033641
    RVK Categories: EC 2140
    Series: University of Toronto romance series
    Subjects: Autor; Geistiges Eigentum; Plagiat; Rezeption; Literatur
    Scope: 1 Online-Ressource (xviii, 321 pages)
    Notes:

    Includes bibliographical references (pages 299-312) and index