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8 Disciplining 'Unexpert People': Children's Dramatic Practices and Page/Stage Tensions in Early English Theatre9 Bifold Adam: Shakespeare, Milton, and the Actor's Voice; 10 "Grose Indecorum", "Contrarietie", Vice-Descendants and the Power of Comic Performance: Weimann and Shakespeare Among the; Part II; 11 Rusting, Bright, and Resting Weapons: A Textual Crux, and Closure in Romeo and Juliet; 12 Circes in Ephesus: Civic Affiliations in The Comedy of Errors and Early Modern English Identity; 13 "If imagination amend them": Lucretius, Marlowe, Shakespeare; 14 Twice-telly-ed Tales Cover; Contents; Part I: Special section, The Achievement of Robert Weimann; 1 Performance in Shakespeare's Theatre: Ministerial and/or Magisterial?; 2 Traction Control; 3 The Spectator, the Text, and Ezekiel; 4 Text and Performance, Reiterated: A Reproof Valiant or Lie Direct?; 5 Shakespeare Performance Studies; 6 Author's Voice? Acting with Authority in Early References to Shakespeare; 7 The Author's Accomplice, or the Unsearchable Complicities of Players in the Making of Elizabethan Drama Notes on ContributorsBibliography; Index This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Among the contributors to this issue are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US
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