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  1. Living with the Royal Academy
    artistic ideals and experiences in England, 1768-1848
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:1783:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 899605
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1409403181; 9781409403180
    Series: British art: global contexts
    Subjects: Art schools; Artists; Artists; Artists; Artists
    Scope: [XVII], 251, [8] S, Ill
    Notes:

    Sarah MonksThe Academy quartet: Joshua Reynolds in 1769 / Mark Hallett: Life study: living with the Royal Academy, 1768-1848

    Sarah Monks: 'Un peu Gascon': Dominic Serres and the spectre of alienation

    Iain McCalman: Conquering Academy and marketplace: Philippe de Loutherbourg's Channel crossing

    John Bonehill: 'The eye of delicacy': Joseph Wright of Derby reviewed

    Rosie Dias: Venetian secrets: Benjamin West and the contexts of colour at the Royal Academy

    John Barrell: Thomas Banks and the Society for Constitutional Information

    Ann Bermingham: Apocalypse at the Academy: Death on the Pale Horse and the Revelation of Benjamin West

    Martin Myrone: William Etty: 'a child of the Royal Academy'

    Jason Edwards.: By abstraction springs forth ideal beauty? The 'real Academy' and John Gibson's Anglo-Roman modernity

  2. Living with the Royal Academy. Artistic ideals and experiences in England, 1768-1848
    Contributor: Monks, Sarah (Hrsg.)
    Published: 2014
    Publisher:  Ashgate, Farnham [u.a.]

    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    K III 22/30
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    Source: Union catalogues
    Contributor: Monks, Sarah (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1409403181; 9781409403180
    Series: British Art: Global Contexts
    Subjects: Künstler; Ästhetik
    Scope: 251 S., Ill.
    Notes:

    Living with the Royal Academy: Artistic ideals and experiences in England, 1768-1848' offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth-centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art's increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty

    Literaturverz. S. [221] - 240

  3. Living with the Royal Academy
    artistic ideals and experiences in England, 1768-1848
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1409403181; 9781409403180
    Series: British art: global contexts
    Subjects: Art schools; Artists; Artists; Artists; Artists
    Scope: [XVII], 251, [8] S, Ill
    Notes:

    Sarah MonksThe Academy quartet: Joshua Reynolds in 1769 / Mark Hallett: Life study: living with the Royal Academy, 1768-1848

    Sarah Monks: 'Un peu Gascon': Dominic Serres and the spectre of alienation

    Iain McCalman: Conquering Academy and marketplace: Philippe de Loutherbourg's Channel crossing

    John Bonehill: 'The eye of delicacy': Joseph Wright of Derby reviewed

    Rosie Dias: Venetian secrets: Benjamin West and the contexts of colour at the Royal Academy

    John Barrell: Thomas Banks and the Society for Constitutional Information

    Ann Bermingham: Apocalypse at the Academy: Death on the Pale Horse and the Revelation of Benjamin West

    Martin Myrone: William Etty: 'a child of the Royal Academy'

    Jason Edwards.: By abstraction springs forth ideal beauty? The 'real Academy' and John Gibson's Anglo-Roman modernity

  4. Living with the Royal Academy
    artistic ideals and experiences in England, 1768 - 1848
    Contributor: Monks, Sarah (Hrsg.)
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:1783:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 899605
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2013 C 4776
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Contributor: Monks, Sarah (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409403180; 1409403181
    Series: British art
    Subjects: Art schools; Artists; Artists; Artists; Artists
    Scope: XV, 251 S., Ill.
    Notes:

    Sarah MonksThe Academy quartet: Joshua Reynolds in 1769 / Mark Hallett: Life study: living with the Royal Academy, 1768-1848

    Sarah Monks: 'Un peu Gascon': Dominic Serres and the spectre of alienation

    Iain McCalman: Conquering Academy and marketplace: Philippe de Loutherbourg's Channel crossing

    John Bonehill: 'The eye of delicacy': Joseph Wright of Derby reviewed

    Rosie Dias: Venetian secrets: Benjamin West and the contexts of colour at the Royal Academy

    John Barrell: Thomas Banks and the Society for Constitutional Information

    Ann Bermingham: Apocalypse at the Academy: Death on the Pale Horse and the Revelation of Benjamin West

    Martin Myrone: William Etty: 'a child of the Royal Academy'

    Jason Edwards.: By abstraction springs forth ideal beauty? The 'real Academy' and John Gibson's Anglo-Roman modernity

  5. Living with the Royal Academy
    artistic ideals and experiences in England, 1768 - 1848
    Contributor: Monks, Sarah (Hrsg.)
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Monks, Sarah (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409403180; 1409403181
    Series: British art
    Subjects: Art schools; Artists; Artists; Artists; Artists
    Scope: XV, 251 S., Ill.
    Notes:

    Sarah MonksThe Academy quartet: Joshua Reynolds in 1769 / Mark Hallett: Life study: living with the Royal Academy, 1768-1848

    Sarah Monks: 'Un peu Gascon': Dominic Serres and the spectre of alienation

    Iain McCalman: Conquering Academy and marketplace: Philippe de Loutherbourg's Channel crossing

    John Bonehill: 'The eye of delicacy': Joseph Wright of Derby reviewed

    Rosie Dias: Venetian secrets: Benjamin West and the contexts of colour at the Royal Academy

    John Barrell: Thomas Banks and the Society for Constitutional Information

    Ann Bermingham: Apocalypse at the Academy: Death on the Pale Horse and the Revelation of Benjamin West

    Martin Myrone: William Etty: 'a child of the Royal Academy'

    Jason Edwards.: By abstraction springs forth ideal beauty? The 'real Academy' and John Gibson's Anglo-Roman modernity