Novels by significant Modernist authors can be described as romans a clef, providing insight into restrictions governing the representation of female homosexuality in the early twentieth century. Nair argues that key novels of the period represented...
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Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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Novels by significant Modernist authors can be described as romans a clef, providing insight into restrictions governing the representation of female homosexuality in the early twentieth century. Nair argues that key novels of the period represented same-sex desire through the encryption of personal references directed towards coterie audiences Novels by significant Modernist authors can be described as romans à clef, providing insight into restrictions governing the representation of female homosexuality in the early twentieth century. Nair argues that key novels of the period represented same-sex desire through the encryption of personal references directed towards coterie audiences
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Cover; Contents; Acknowledgements; Introduction: Screening desire in the Sapphic modernist roman à clef; 1 'Moral poison': Radclyffe Hall and The Well of Loneliness; 2 'On her lips you kiss your own': Theorizing desire in Djuna Barnes' Nightwood; 3 'Truth & fantasy': Virginia Woolf's Orlando as Sapphic roman à clef; 4 'Gertrude, the world is a theatre for you': Staging the self in The Autobiography of Alice B. Toklas; 5 Conclusion: 'Two alert and vivid bodies': Desire and salvation in H.D.'s HER; Notes; References; Index