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  1. Postcolonial Artists and Global Aesthetics
    Published: ©2011
    Publisher:  Indiana University Press, Bloomington, IN

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0253005507; 1283235927; 9780253005502; 9781283235921
    RVK Categories: EP 20002 ; LB 52800 ; LC 95465
    Series: African expressive cultures
    Subjects: Africa / In motion pictures; Motion pictures / Social aspects / Africa; SOCIAL SCIENCE / Media Studies; Film; Gesellschaft; Sozialwissenschaften; Social sciences; Fine Arts; Motion pictures; Motion pictures and globalization; Intercultural communication in motion pictures; Literature and globalization; African diaspora in literature; Literature and society; Postkolonialismus; Kulturkontakt; Film; Schwarze; Globalisierung; Literatur
    Scope: 1 Online-Ressource (xix, 230 pages)
    Notes:

    Includes bibliographical references, filmography and index

    Cover; Contents; Preface; Acknowledgments; Introduction: Generic Transformations at the Crossroads of Capital; 1. C.L.R. James Sees the World Steadily; 2. Fitful Decolonization; 3. Tunde Kelani's Nollywood; 4. Jean-Pierre Bekolo and the Challenges of Aesthetic Populism; 5. Imaginary Citizenship: Caryl Phillips's Atlantic World; 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire; Conclusion: Being African in the World; Notes; List of References; Filmography; Index

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that